Glancing up at the sky, he nods goodbye to a silver sliver of moonlight and steps into the alleyway.
Henry Abner, RIDE (Tales from the Goddamned Lonely Universe Book 1)
Glancing up at the sky, he nods goodbye to a silver sliver of moonlight and steps into the alleyway.
Henry Abner, RIDE (Tales from the Goddamned Lonely Universe Book 1)
This pomegranate pendant is made of silver and garnet by WingedLion is available in small and large sizes
“For ages, pomegranates have symbolized love, fertility, and abundance. Inspired by the ancient myth of Persephone, the queen of the underworld and the goddess of spring growth, this beautiful pendant was designed by me (Natalia Moroz) and crafted by the jewelry designer Sergey Zhiboedov (my husband).
The pendant is shaped as a half of a ripe pomegranate, and its left side is set with 16 garnet cabochons (3×5 mm each). On the right side of the pendant, there is a relief of a naked woman. The back of the pendant is textured to imitate the rough pomegranate skin. The pendant is made of sterling silver and has been oxidized to bring out the details. The pendant is stamped with the jeweler’s mark and 925 (silver)
The pendant is 1.25″ (31 mm) wide, 1.5″(37 mm) high, and 0.4″(10 mm) deep. Wide bail (chain opening). The chain is not included.” [via]
“Silver Apples of the Moon” by Morton Subotnick from Morton Subotnick: Silver Apples Of The Moon / The Wild Bull
The Nameless Quest in The Gate of the Sanctuary from The Temple of the Holy Ghost (Collected Works, Vol I) by Aleister Crowley.
“And the full moon shone,
A glory for God’s eyes to dwell upon,
A path of silver furrowed in the air,
A gateway where an angel might have gone.
And forward gleamed a narrow way of earth
Crusted with salt: I watch the fairy birth
Of countless flashes on the crystal flakes,
Forgetting it is only death that makes
Its home the centre of that starry girth.
Yet, what is life?” [via]
The Nameless Quest in The Gate of the Sanctuary from The Temple of the Holy Ghost (Collected Works, Vol I) by Aleister Crowley.
“I lifted up my eyes. What soul stood there,
Fronting my path? Tall, stately, delicate,
A woman fairer than a pomegranate.
A silver spear her hands of lotus bear,
One shaft of moonlight quivering and straight.
She pointed to the East with flashing eyes:
‘Thou canst not see her—but my Queen shall rise.’
Bowed head and beating heart, with feet unsure
I passed her, trembling, for she was too pure.
I could have loved her. No: she was too wise.
Her presence was to gracious to endure.
‘She did not bid me go and chain me to her,’
I cried, comparing.” [via]
William Blake and his Illustrations to The Divine Comedy in Ideas of Good and Evil by William Butler Yeats.
“but the immortal part makes all his labours vain, and turns his pyramids to ‘grains of sand,’ his ‘pillars’ to ‘dust on the fly’s wing,’ and makes of ‘his starry heavens a moth of gold and silver mocking his anxious grasp.'” [via]
II. His Ruling Symbols from The Philosophy of Shelley’s Poetry in Ideas of Good and Evil by William Butler Yeats.
“Some old magical writer, I forget who, says if you wish to be melancholy hold in your left hand an image of the Moon made out of silver, and if you wish to be happy hold in your right hand an image of the Sun made out of gold.” [via]