“Esotericism and Symbol initiates the reader into the tone, structure, and mentality of ancient Egyptian knowledge, the wellspring of all Western theology and science.
Schwaller de Lubicz makes the distinction between two kinds of human intelligence, one cerebral, the other innate. The symbol is a conventional representation of cerebral intelligence. The hieroglyph, on the other hand, is a direct, nonconventional form of writing with the unique ability to transcribe the innate ‘intelligence-of-the-heart.’
This intelligence is independent of the senses and belongs to the vast totality called life. To the ancient Egyptian it is the intelligence-of-the-heart which allows man to move toward the divine.
All esoteric teaching is addressed to this intelligence. ‘Spirit is found only with spirit,’ and esotericism is the spiritual aspect of the world, inaccessible to cerebral intelligence. It can be neither written nor spoken, nor consequently betrayed. It has nothing in common with deliberate concealment of truth. However, the preparation needed to grasp it is not a matter of learned knowledge, but of intuitive capacity.
Esotericism and Symbol explores the ‘process of becoming’ as it relates to consciousness and is revealed in all of nature; the relationship of ‘apparent life’ and the life behind appearances; the kinship between man and the mineral, plant, and animal kingdoms; the mystery of the formation of substance into matter; myth, Kabbalah, and the stages of awareness leading to ‘Cosmic Consciousness.’
De Lubicz shows us that esotericism is not a ‘particular meaning hidden in a text’ but a ‘fusion’ between the vital state of the reader and the vital state of the author. This fusion evokes the intelligence of the heart, our guide to the path of self-knowledge.” — back cover
An irregular hodgepodge of links gathered together … Omnium Gatherum for June 11th, 2014
Mihai Mihu’s LEGO diorama for “Lust” from Dante's Inferno
- “The Householder’s Guide to Form and Deed” — Scott David Finch (author of A Little World Made Cunningly), Spiral Nature
“After putting myself in too many people’s shoes, and seeing the world through everyone else’s eyes for too long, I start to become a warped and weary alien to myself. I no longer recognize my own face and I need to recharge. This is when I head to my studio to sit.”
- “How to Become a Living Douche! The Impressively Embarrassing Occultism of EA Koetting” — Thad McKraken, disinformation
“I have to confess that what I’ve found mindblowing about exploring the Occult is that the church has slandered it as being daemon worship, and because of that, a group of gothed out weirdoes have decided that they love the idea worshipping Satan. Even though the Occult doesn’t actually involve that (it’s about mastering your daemons and making contact with your Holy Guardian Angel), they’re just going to make it about that anyway because they’re just…so…hard.”
- “Dreamscripts in the Waking World” — William Kiesel, The Brooklyn Rail
“One of the signs which has become a trademark of being in a dream is the inability to read the written word or at other times to decipher numbers on a clock face or elsewhere. Such figures most often appear to blur before the eyes. There are times when the oneiric traveller is blest with clarity of vision wherein the characters in the given instance are crystal clear, but such instances are typically rare. It is significant that there is a crossover between the experience of legible and illegible scripts in both the waking and dream worlds.”
“With the use of oneiric praxis, sigils of the wake world can be brought to the dreamscape, as well as drawing the dream texts upon the waking consciousness. No doubt the viewing of sigillic devices could produce the atmosphere of the dream in the waking consciousness of one unaccustomed to seeing such scripts.”
- “Caveat Lecter” — Houghton Library Blog [HT Harvard Library]
“Good news for fans of anthropodermic bibliopegy, bibliomaniacs and cannibals alike: tests have revealed that Houghton Library’s copy of Arsène Houssaye’s Des destinées de l’ame [The destiny of the soul] (FC8.H8177.879dc) is without a doubt bound in human skin.”
- “Earth’s backup: Sending religious texts to the moon” — Paul Marks, NewScientist
“The first artefacts to shoot for the moon could be three religious and philosophical texts. The Torah on the Moon project, based in Tel Aviv, Israel, has been courting private firms to deliver a handwritten Jewish scroll, the Sefer Torah, to the lunar surface. If they succeed, later flights will carry Hindu scriptures called the Vedas and the ancient Chinese philosophical work, the I-Ching.
Each document will be housed in a space-ready capsule designed to protect it from harsh radiation and temperature changes on the moon for at least 10,000 years.”
- “The Samuelson Clinic releases “Is it in the Public Domain?” handbook” – UC Berkeley School of Law [HT Boing Boing]
“These educational tools help users to evaluate the copyright status of a work created in the United States between January 1, 1923 and December 31, 1977—those works that were created before today’s 1976 Copyright Act. Many important works—from archival materials to family photos and movies—were created during this time, and it can be difficult to tell whether they are still under copyright.”
- “Handbook to figure out what’s in the public domain” — Cory Doctorow, Boing Boing
“This is probably the most esoteric question that normal people from all walks of life have to answer routinely; the Samuelson Clinic has really done an important public service here.”
- Book of Soyga or Aldaraia sive Soyga vocor [PDF], edited and translated by Jane Kupin, Twilit Grotto [HT Joseph H Peterson]
“Here begins the book Aldaraia in accordance with that which our authorities proclaimed to us; they were from God and from the celestial parts and it was revealed to them in the desert about celestial matters.”
- “The Self-Sacrifice of Our Own Individuality” — Michael Gilleland, Laudator Temporis Acti
“We perform our task correctly only when we don’t force our own mind into every ancient book that falls into our hands; but rather read out of it what is already there.”
- “The Anagogic Role of Sunthemata in the Sacramental Liturgy of Pseudo-Dionysius” — Jeffrey S Kupperman
“The Neoplatonic writings of the 6th century writer known as pseudo-Dionysius the Areopagite have influenced, and continue to influence, Christian theologians and esotericists, amongst others, to this day. Typically, a handful of Dionysius’ topics are discussed: his angelology, his sacramental theology, and his treatment of the divine names are on the top of the list. This paper treats one of these subjects, Dionysian sacraments”
- “Occultic and Masonic Influence in Early Mormonism” — Joel B Groat, Institute for Religious Research
“The evidence of Joseph Smith’s close connection to occultism and Freemasonry, and how this influenced the origin and development of the LDS Church is not well known outside of scholarly circles. This article summarizes the evidence for Joseph’s personal involvement in both Freemasonry and occultism, and their influence on the Mormon religion.”
- “Christopher Lee makes heavy metal Don Quixote” — BBC News
“Actor Sir Christopher Lee is marking his 92nd birthday by releasing an album of heavy metal cover versions.
Two of the songs come from the Don Quixote musical Man of La Mancha, which was a Broadway smash in the 1960s.
‘As far as I am concerned, Don Quixote is the most metal fictional character that I know, the Hobbit star said.
‘Single handed, he is trying to change the world, regardless of any personal consequences. It is a wonderful character to sing.'”
- “Of course Thelema is satanic” — Thomas Zwollo, Spiral Nature
“Thelema rejects all these notions that enslave humanity to a deity that would demand certain beliefs and actions and punish those who disobey. Satan represents the rejection of this belief system and the exultation of the individual. Is Satan central to Thelema? No. Is Satan mentioned in Thelema? Yes, frequently.”
- “On the ‘itch’ within the Witch” — Nicholaj de Mattos Frisvold, The Starry Cave
“I believe Traditional Witchcraft is a poetic reality humming the nocturnal mysteries of Night. I believe the Witch is concerned with Solace and comfort, the same solace we find resting in the Night. I believe the Witch is a creature tied to the land whose heart is a crossroad where the fire of Need gushes forth from the fountain of the soul like a veiled spring of fiery droplets of gold and silver.”
- “The Rosicrucian Vision” — Christopher McIntosh, New Dawn Magazine
“The word ‘Rosicrucian’ is one that most readers will have heard many times. Yet if I were to ask for a definition of the word I would probably be given a wide variety of different answers. I might be told that it was something to do with esoteric Christianity, with alchemy, or with Cabala. All of these things are part of the answer, but not the whole answer.
So what is Rosicrucianism? For the time being let us call it a current of thought and ideas which has been flowing through history for at least three and a half centuries and probably quite a bit longer, sometimes underground, sometimes coming to the surface, but always pushing human beings towards certain goals. I say that we can trace the current back three and a half centuries because that was when it first came to the surface. So let us go back to that moment in history.”
- “Pagan God From Bronze Age Caught By Unsuspecting Fisherman In Siberia” — Yasmine Hafiz, The Huffington Post; from the it-has-the-innsmouth-look dept
“Nikolay Tarasov was fishing in a river near his home in Tisul, in the Kemerovo region of Siberia, when he caught something unexpected—and very old.”
“Museum curators dated the figure to over 4,000 years old. Carved in horn which was later fossilized, the Bronze Age figurine shows a pagan god.”
- “Circumambulating the Alchemical Mysterium” — Aaron Cheak, Reality Sandwich; an excerpt from Alchemical Traditions: From Antiquity to the Avant-Garde
“Alchemy may be described, in the words of Baudelaire, as a process of ‘distilling the eternal from the transient’. As the art of transmutation par excellence, the classical applications of alchemy have always been twofold: chrysopoeia and apotheosis (gold-making and god-making)—the perfection of metals and mortals. In seeking to turn ‘poison into wine’, alchemy, like tantra, engages material existence—often at its most dissolute or corruptible—in order to transform it into a vehicle of liberation. Like theurgy, it seeks not only personal liberation—the redemption of the soul from the cycles of generation and corruption—but also the liberation (or perfection) of nature herself through participation in the cosmic demiurgy. In its highest sense, therefore, alchemy conforms to what Lurianic kabbalists would call tikkun, the restoration of the world.”
- “Plaidoyer for historical-critical Steiner research. Using the methodological example of Rudolf Steiner as a possible character in the Mysteriendramen.” — David W Wood
“A main thesis of this paper is that one of the ways for Rudolf Steiner research to become more scientiﬁc is to proceed in accordance with a genuine historical and critical methodology. It attempts to show that even though some of Steiner’s chief critics support this method in theory, they often fall short of a historical-critical approach in practice. Using the example of the unresolved problem of whether Steiner could be a character in his own Mysteriendramen, the author provides a number of methodological, historical and biographical indications for approaching this problem. He tries to demonstrate the fruitfulness of this method by addressing the question of Steiner as a drama character from the new perspective of literary pseudonyms. In conclusion, he maintains that a scholarly historical-critical approach to spiritual science was advocated by Steiner himself.”
- “What Happens to the Brain During Spiritual Experiences? The field of neurotheology uses science to try to understand religion, and vice versa.” — Lynne Blumberg, The Atlantic
“Since everyday and spiritual concerns are variations of the same thinking processes, [Andrew] Newberg thinks it’s essential to examine how people experience spirituality in order to fully understand how their brains work. Looking at the bigger questions has already provided practical applications for improving mental and physical health.”
- “Intolerance and Fanaticism” — Michael Gilleland, Laudator Temporis Acti
“Men find it very hard to apply a little criticism to the sources of their beliefs and the origin of their faith. It is just as well; if we looked too close into first principles, we should never believe at all.”
- “Paradise Found: The ideal(ized) vision of Paul Gauguin.” — Daniel Goodman, The Weekly Standard [HT Arts & Letters Daily]
“Gauguin’s art depicts Tahitians as they are sleeping, worshipping, and engaging in other quotidian activities. But whereas Cheever, Chekhov, Roth, John Updike, and other literary artists used their keen perceptive abilities in the pursuit of sober realism, Gauguin put his artistry to the purpose of imaginative proto-surrealism.
Gauguin, who rejected European cultural and religious constraints, thought of himself as a savage in the eyes of the civilized world. Oviri (1894, his personal favorite amongst all his sculptures) and many of his other works were regarded as radical for a variety of reasons, not least because they subverted traditional, conventional ideas of feminine beauty.”
- “We need to talk about misogyny and sexism” — Psyche, Spiral Nature
“Equality. That’s the secret agenda, folks. Feminism isn’t about women first, it’s about women too.”
- “Congo: A Group of Chimpanzees Seem to Have Mastered Fire” — World News Daily Report; from the fake-news-but-wouldn’t-it-be-wild-if dept.
“It is however, the first time that a group of these primates develops some technical concepts as elaborate as these on their own. A few individual apes seem to have originally developed a rudimentary technique of rather poor efficiency, but the group gradually improved it through experimentation and observation over the last few months. They are now able to create and maintain a fire, which they have been using mostly to scare off predators and cook some of their food.”
- “On the Seventh Day, We Unplug: How and Why to Take a Tech Sabbath” — Brett & Katie McKay, The Art of Manliness
“Taking a weekly Tech Sabbath allows us to step off this wheel of endless sameness. It’s a ritual that pushes us out of the norm, to pursue different activities, and use different parts of our brains. In so doing, it refreshes and rejuvenates our minds and spirit. It provides the motivation to unhook our wired craniums from the matrix of cyberspace and explore the pleasures of the real world.”
- “Kircher & Schott’s Computer Music of the Baroque” — Phil Legard, Larkfall
“Here is a piece of music, which was composed with a sort of 17th century computer called the Organum Mathematicum, devised by Athanasius Kircher and fully described by his pupil and assistant Gaspar Schott”
- “Mihai’s Inferno: The 9 circles of Hell made in Lego” — The Brothers Brick [See also Boing Boing, MOCPages]
“Mihai Mihu completed a series of creations depicting the 9 circles of Hell. While staying true to the theme of poetic justice served to the sinners, Mihai portrays the punishments through his own interpretations. The recurring architectural elements and portrayal of the sinners tie the scenes together in a way that’s easy for the viewer to transition through. In this short interview, the builder talks about his project and the individual circles of Hell.”
- “Techne: The State of the Art” — Damien Wolven [HT Joshua Madara]
“If we really think that whatever kind of mind we generate from these efforts is going to be anything like us, then we’re probably in for a big surprise. We have to be prepared for—as opposed to scared about—the possibility that any machine intelligence will have vastly different concerns from us. “Occult Wisdom” means knowledge hidden from those who don’t know how to look for it and, without an understanding of how these new minds will experience our world, humanity will never know everything we might.
As I’ve explored these ideas, over the years, I’ve found that the most valuable approaches have often come from the intersections that others might overlook. The intersection that’s been most useful to me is at the center of weird science, philosophy, religious studies, pop-culture, and magic. I’ve written articles, taught classes, and organized conferences arguing that “The Magical” is one of the most useful-but-underused tools we have for rethinking and understanding these ideas.”
- “The Flaw Lurking In Every Deep Neural Net” — mikejuk, Slashdot
“If a deep neural network is biologically inspired we can ask the question, does the same result apply to biological networks? Put more bluntly, ‘Does the human brain have similar built-in errors?’ If it doesn’t, how is it so different from the neural networks that are trying to mimic it?”
- “We Aren’t the World” — Ethan Waters, Pacific Standard [HT Eleanor Saitta]
“The potential implications of the unexpected results were quickly apparent to Henrich. He knew that a vast amount of scholarly literature in the social sciences—particularly in economics and psychology—relied on the ultimatum game and similar experiments. At the heart of most of that research was the implicit assumption that the results revealed evolved psychological traits common to all humans, never mind that the test subjects were nearly always from the industrialized West. Henrich realized that if the Machiguenga results stood up, and if similar differences could be measured across other populations, this assumption of universality would have to be challenged.
Henrich had thought he would be adding a small branch to an established tree of knowledge. It turned out he was sawing at the very trunk. He began to wonder: What other certainties about “human nature” in social science research would need to be reconsidered when tested across diverse populations?”
If you’d like to participate in the next Omnium Gatherum, head on over to the Gatherum discussions at the Hrmtc Underground BBS.
The Portal of Initiation: A Rosicrucian Mystery Drama & The Fairy Tale of the Green Snake and the Beautiful Lily, by Rudolf Steiner and Johann W von Goethe, respectively, the 1981 second revised edition from Spiritual Literature Library (Garber Communications), is part of the collection at the Reading Room.
“The Portal of Initiation: A Rosicrucian Mystery Drama, can best be described in Rudolf Steiner’s own words:
‘When one has worked one’s way through to an understanding perception of the world, the living need is felt to form ideas no longer, but to create artistically, that is, plastically, or in color, or musically, or poetically. In my Mystery Dramas I myself tried to give what cannot be expressed in ideas about the nature of the human being. … This leads us to enjoy, to seek out, to contemplate what one cannot possibly experience in thoughts, but in living figures, as they appear in the dramatic pictures; then we let the figures of the drama really work upon us. … Art must be added to what is abstractly known if true knowledge of the world is to be attained. Further, when such perception is attained and presses toward creative form, this experience penetrates so deeply into the human soul that this union of art with science produces a religious experience.’
‘Today, humanity may not yet be inclined to absorb into external culture what can spring from the spiritual life. however, at least in artistic pictures we can show how life may develop, and what in the form of thoughts and feelings flows into our souls and permeates them. The result can be the kindling of the presentiment that out of its present, humanity must go toward a future in which it will be able to experience the streaming down of spiritual life into man on earth. For humanity is approaching an age when man will perceive himself as the intermediary between the spiritual world and the physical world. These performances were given in order that this presentiment might be awakened.’
Steiner spoke repeatedly about the importance of Goethe’s Fairy Tale, not only in relation to the spiritual striving of our time in a general sense, but in his first Mystery Drama, The Portal of Initiation, he drew upon many of the basic themes of the Fairy Tale. Steiner also indicated that the way the pictures in Goethe’s Fairy Tale ‘unfold themselves’ shows that they possess the power ‘to transform the human soul’ which opens itself to them. He also once characterized the Goethe Fairy Tale as the ‘archetypal seed’ which offers the possibility of a new order of social life amongst humanity as a whole, and described it as the foundation upon which he based his teaching concerning the modern Science of Spirit, Anthroposophy.
Although they are surrounded by the remarkable conveniences modern technology has placed at our command and the degree of ‘freedom’ this has made possible, many people today would agree with Goethe’s observation, made long ago: “Whatever sets the human spirit free without giving us mastery over ourselves is harmful.’—ANd with this awareness goes the recognition that despite the marvels of technology, designed to set men free to an ever-increasing degree, there nevertheless prevails a widespread feeling, a longing to return ‘home’, to experience the unique guidance of the star of one’s individual destiny. … Goethe’s Fairy Tale offers, in form of artistic images, the first steps on the path which at length will enable a man to come to know himself as a being of body, soul and spirit, with all this implies. Thus the Fairy Tale of Goethe may become ‘everything’ or ‘nothing’ for the reader—and it is left entirely to his own individual freedom to let it ‘speak’ its significance to him.” — back cover
Neo-Symbolist Salon: For the Beauty and Spirit in Art will be held at the Corrala Cultural Center in Madrid, Spain from October 31st through November 30th, 2013 as part of the fifth Madrid Gothic Week [HT Sasha Chaitow]. The call for artist and papers has passed, but it sounds quite interesting; especially since the description explicitly invokes the Salon de la Rose + Croix of Joséphin Péladan and has suggested themes which include Beautiful, Decadent and Damned; Hybrid beings; The Sacred Feminine; and more.
“V SEMANA GÓTICA DE MADRID
CONVOCATORIA PARA PARTICIPAR EN EL
I Salón Neo-Simbolista
Por la Belleza y el Espíritu en el Arte
DEL 31 DE OCTUBRE AL 30 DE NOVIEMBRE DE 2013
CENTRO CULTURAL LA CORRALA (MADRID)
El final del siglo XIX vio florecer un arte plagado de ideal y de profundo significado: el Simbolismo. Un arte de la belleza y la pureza de las formas bajo cuyo velo había siempre un significado profundo: sus imágenes simbolizaban el ideal. Por ello fueron llamados en su momento “los pintores del alma”. Pero el advenimiento de las primeras Vanguardias dejó eclipsada a esta corriente artística tan rica y evocadora, tan solo revivida por el ámbito surrealista, y que sólo será estudiada a partir de los años 80.
Es significativo que un siglo más tarde, en el final del siglo XX y comienzos del XXI toda una serie de artistas haya recuperado la estética y los iconos del Simbolismo finisecular para mostrar unos ideales nuevos. La femme fatal, el dandy, el andrógino, pasan a representar nuevos conceptos y nuevos ideales, eso sí, dentro del ámbito de la contra-cultura. A este movimiento artístico contemporáneo es a lo que llamamos Neo-Simbolismo, los nuevos pintores del alma.
Y por esa ascendencia decimonónica nos fijamos en el París decadente donde los salones eran las formas de mostrar los nuevos avances artísticos al gran público. Pero no tratamos de emular a los grandilocuentes Salones del Louvre, ni tan siquiera al Salon des refuiusèes donde hicieran su fortaleza los impresionistas, sino que mas bien miramos a la aventura de un visionario, el que se autoproclamaba Sâr Péladan y que fundó el Salon de la Rose + Croix en el cual participaron fundamentalmente los artistas de la corriente simbolista. Aunque un poco lejos de la excentricidad de Péladan pero siguiendo algunos de los principios que inspiraron su gusto estético, presentamos este Salón Neo-Simbolista, mas de una centuria después.
Las propuestas artísticas para la exposición deberán basarse en la iconografía simbolista pero reinterpretada dentro de los parámetros de la contra-cultura, del contra-Arte, de la oposición al mercado y al establishment. Porque probablemente la verdadera esencia del arte de nuestra época está muy lejos de allí y hay que encontrarlo en el underground.
Se proponen las siguientes temáticas para las obras que conformarán el Salón Neo-Simbolista:
La Belleza Maldita y la Belleza del Exceso
Bellos, Decadentes y Malditos
La Belleza de lo Siniestro
La Bella Dama sin piedad
El Dandy tenebroso
Seres híbridos: Esfinges, Arpías y Lamias
Lo Sagrado Femenino
El Andrógino” [via]
Spell Casting with Heart & Spirit is a short comic by Ian Anderson, aka Citric Comics, previously posted on his blog, but available now as a 60 page downloadable PDF, combined with The Best Part another short comic.
“60 Pages of comics between two stories! Spell Casting With Heart & Spirit is about a Witch and a Duck talking about magic and The Best Part is about a little dog looking for rare gems.
Two tales about creativity and making stuff in comics form!”
With angelic tablets, my spirit aflame,
Each of them equal to Your holy name;
The fifth in the center brings all in union!
I raise up the cup and adore Babalon!
The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.
Christian Day’s HEX: Old World Witchery has some interesting statues based on Goetic spirits and more from the grimoires on offer, including statues of Buer, Behemoth, Baphomet and even some that don’t begin with the letter B.
Buer is a spirit that appears in the 16th century grimoire Pseudomonarchia Daemonum and its derivatives, where he is described as a Great President of Hell, having fifty legions of demons under his command. He appears when the Sun is in Sagittarius. Buer teaches natural and moral philosophy, logic, and the properties of all herbs and plants. He also heals all diseases, especially of men, and gives good familiars. According to some authors, he teaches Medicine and has the head of a lion and five goat legs surrounding his body to walk in every direction. In Grim Grimoire, Buer is summoned using the alchemy rune. Also, he discourages drunkenness.This sculpture is made of resin with a faux bronze finish. It stands approximately 4.25″ tall by 4.25″ across.
According to legend, the Behemoth was the largest animal that lived on land. Jewish tradition tells us that it was fashioned from clay on the sixth day of creation. However, the book of Job records that the Behemoth is the first of God’s works. In the Muslim tradition, Behemoth equates with the monstrous Bahamut, the vast monster that supports the earth in the cosmos. Demonically, as the name suggests, he was a huge soldier of Satan, usually depicted as an elephant with a big round belly, waddling on two feet. He was the infernal watchman, and also presided over the gluttonous banquets and feasts. It is said that he also enjoyed a certain renown for his voice, being regarded as Hell’s official demonic singer.This sculpture is made of resin with a faux bronze finish. It stands approximately 3 1/2 inches tall by 2 1/2 inches wide.
Adoration to the spirit of infinite creation, and used as such. The draw illustrated above initiated the ceremony.
KaosMind is the collaborative effort of two beings with an intention to explore the realms of music, ritual, and improvisation. The project was formed in September 2012 within the medium known as Abrahadabra.
The ritual used to create this music originates in a focus of Will upon an inspired date and idea. The process of improvisation, recording, and mixing has evolved with each ceremony; the concept however remains unchanged.
Across times zones we synchronize ourselves by entering a space which allows the sound to manifest. We then improvise a variety of tracks, recording each one only once. Next, we individually mix our own tracks into one and send them to each other. The final track is produced by each of us mixing each others track with our own.
Not this music be heard, but a river of manifestation.
I adore You with kisses that tasting of wine,
Your spirit within me as blood from the vine!
I’m the babe at your Breast, Your lover, Your faun,
I raise up the cup and adore Babalon!
The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.
“How Alex Grey’s visionary art is evolving the cultural body through icons of interconnectedness
• Includes over 200 reproductions of Grey’s artwork
• Contains spectacular photos of Grey’s collaboration with the cult band TOOL plus his worldwide live-painting performances
• Offers Grey’s reflections on how art evolves consciousness with a new symbology of the Networked Self
Revealing the interwoven energies of body and soul, love and spirit that illuminate the core of each being, Alex Grey’s mystic paintings articulate the realms of consciousness encountered during visits to entheogenic heaven worlds. His painting Net of Being—inspired by a blazing vision of an infinite grid of Godheads during an ayahuasca journey—has reached millions as the cover and interior of the band TOOL’s Grammy award–winning triple-platinum album, 10,000 Days. Net of Being is one of many images Grey has created that have resulted in a chain reaction of uses—from apparel and jewelry to tattoos and music videos—embedding these iconic works into our culture’s living Net of Being.
The book explores how the mystical experience expressed in Alex Grey’s work opens a new understanding of our shared consciousness and unveils the deep influence art can have on cultural evolution. The narrative progresses through a successive expansion of identity—from the self, to self and beloved, to self and community, world spirit, and cosmic consciousness, where bodies are transparent to galactic energies. Presenting over 200 images, including many never-before-reproduced paintings as well as masterworks such as St. Albert and the LSD Revelation Revolution and Godself, the book also documents performance art, live-painting on stage throughout the world, and the “social sculpture” called CoSM, Chapel of Sacred Mirrors, that Grey cofounded with his wife and creative collaborator, artist Allyson Grey.” [via]
The Hermetic Library Reading Room is an imaginary and speculative future reification of the library in the physical world, a place to experience a cabinet of curiosities offering a confabulation of curation, context and community that engages, archives and encourages a living Western Esoteric Tradition. If you would like to contribute to the Hermetic Library Reading Room, consider supporting the library or contact the librarian.