There is a ghost of a moral in the story of a sensual Caliph going to the bad, as represented by his final introduction to the Halls of Eblis.
William Beckford, Vathek
There is a ghost of a moral in the story of a sensual Caliph going to the bad, as represented by his final introduction to the Halls of Eblis.
William Beckford, Vathek
Interested in writing for Hermetic Library? Now you can!
I am announcing an open and rolling call for you to pitch ideas for submissions to Hermetic Library’s blog, site, private publication for subscription Patrons, or, possibly-maybe-once-and-future, journal!
(If you want to post to the Hrmtc Underground BBS or submit something to the wild & wooly Zine instead, go ahead! There’s no formal submissions process for either of those. What I’m describing here is specifically for publishing to the blog, site, and/or journal.)
I recently created an online form which you can use to submit a pitch for your submission idea. I’d mentioned it in a couple of places, and have it linked on the website and in the sidebar of the library blog, but wanted to make sure I more formally announce it to you here.
You’re probably already familiar with the library and the blog, but if not you should be sure to get an idea of what the library is all about before making a pitch. Consider taking a gander at the submissions guidelines for the Anthology Journal for some general idea of what I thought submissions to that might have looked like. Now that I’m thinking about it, there’s also the contributors’ guidelines in the Caduceus archive you can consider as well.
But, once you’ve got an idea that you feel is right for the library audience, you’re ready to start. You should pitch your idea for a submission!
What happens next, you ask? What’s the process of moving from making a pitch, developing a submission, compensating you, and, finally, publishing your work for the public audience of the library to read? Well, I’m so excited you asked! Let me tell you!
When a pitch comes in, what I plan on doing is posting it to a private forum for my Patrons. I’ll do that to give them a chance to let me know what they think, and if they’re interested in reading the proposed submission. I’ll take their feedback into consideration on whether to accept or reject the pitch, and move forward with the idea as a submission.
If the pitch idea is not accepted, I’ll suggest whether or not to revise the submission for another try. Optionally, the author may consider posting the submission as topic for Discussion on the BBS.
If the pitch is accepted, then I’ll ask the author to submit the article, review or story for consideration.
When a submission comes in, what I plan on doing is posting it to a private forum for my Patrons. I’ll do that to give them a chance to let me know what they think about the various merits of the submission. I’ll take their feedback into consideration on whether to accept or reject the pitch, and move forward with compensation for the author and then posting the submission to one of Hermetic Library’s projects.
If the submission is not accepted, I’ll suggest whether or not to revise the submission for another try. Optionally, the author may consider posting to their work as a topic for Discussion on the BBS, or submitting to the Hermetic Library Zine instead.
If the submission is accepted, I’ll move forward with compensating the author. Once I’ve successfully compensated the author for their work, I will then post the the article, review or story for the public to read one of the variety of places I publish.
For submissions that are accepted for publication, I happily offer thanks. I’m also delighted to send you a gratis download code for any one of the released anthology albums.
For work accepted through this process, I am currently able to offer an honorarium of up to $50 per successful submission, supported by my generous Patrons.
For established reviewers, I am happy to see about getting a reviewer’s copy sent to you in advance.
Finally, if there’s something else you’ve got in mind, or an idea I’ve not mentioned, let me know!
Rights to Publish
As part of this submission process, creators affirmatively agree to non-exclusively release the information in their pitch for private sharing with those involved in the process in perpetuity.
If an eventual submission is accepted, authors and creators, of course, retain copyright on their work. They will merely affirmatively agree to release their submission non-exclusively for use by the library, granting rights to publicly present the work in perpetuity.
If you have any comments, questions, or concerns, do get in touch. Also, if the process seems daunting or there’s some aspect of it that creates difficulty for you in some way, let me know so we can find a way forward that works better for you. Finally, if you’re thinking of something that doesn’t seem to fit what I’ve described here, get in touch and let me know what you’re thinking so we can figure out whether and how we can consider your cool out-of-the-box idea. Go ahead and use the form and fill out as much as you can and I’ll get back to you, or contact me directly.
Current contact information should always be up on Hermetic Library, so you can reach me via email or post.
I look forward to hearing from you, so pitch your idea today! (Besides, you read this far, right? You might as well follow through with a pitch too!)
Updated 5jan2019: Revised to better reflect the current process, and increased available honorarium. The most current information on this will be on the actual form to pitch an idea itself.
The Tree: A Jungian Journey: Tales in Psycho-Mythology by J Marvin Spiegelman, a 1982 paperback from Falcon Press, is part of the collection at the Reading Room.
“Henry Miller, the author of Tropic of Cancer and numerous other works of major stature, states:
‘For me it was like sailing down a stream whose shores and everything bordering them was as familiar to me as if I had dreamt it a thousand times. I say familiar, but not stale. Rather like encountering in your sleep old dreams which you knew by heart but had not dreamt for many and many a year. Therefore extremely vivid and exciting. Or I could put it another way and say it was like presenting the quintessence of all one’s spiritual experiences.’
Israel Regardie, the Western World’s foremost authority on occultism and magic, states:
‘Here is the whole Jungian corpus in a nutshell, spelled out brilliantly in the form of original stories, fables, myths and parables. Each is beautifully written, intriguing, commanding one’s full attention. Spiegelman is highly imaginative, a truly creative psychologist.
He deals symbolically with the process of individuation, the growth to be oneself, the movement Godward. As such, it is the story of the Great Work, the noblest story and Work of them all, told with simplicity and deep sincerity.'” — back cover
An irregular hodgepodge of links gathered together …
A volvelle, with tattwa tides and astrological aspects, made by a Whare Ra temple member [via]
“Now, a study claims neutron emissions from an ancient earthquake that rocked Jerusalem could have created the iconic image, as well as messed up the radiocarbon levels that later suggested the shroud was a medieval forgery. But other scientists say this newly proposed premise leaves some major questions unanswered.”
“Jesus also affirms the homosexual relationship between the Roman Centurion and his ‘slave’. The particular Greek word used to refer to this special slave was ‘pais’. Greek language studies and contexts show that a ‘pais’ was a male love slave. Regular slaves were called ‘dolos’. The Centurion makes this distinction clearly when he asks Jesus to heal his slave (pais), and then to prove his status he tells Jesus that his slaves (dolos) go when he tells them to. But this slave (pais) was special. He was the Centurion’s lover.
Hearing this, Jesus was so amazed he says he had not found ANYONE ELSE who had such great faith. He then blesses the Centurion and heals his male lover.”
“Luke and I were looking at Hieronymus Bosch’s painting The Garden of Earthly Delights and discovered, much to our amusement, music written upon the posterior of one of the many tortured denizens … I decided to transcribe it”
“Democracy loses its character as a disruptive element, a force of dissent, an insurrectional call for responsible change, and degenerates into an assault on the radical imagination, reconfigures itself as a force for bleaching all ethical and moral considerations, and thrives in a state of exception, which in reality is a state of permanent war.”
“He says that those people who passionately believe that a disarmed populace under tyrannical rule is a problem have a well-taken point. But that notion, ‘still comes from a consciousness platform of fear,’ he says. ‘And if that is the focus of your life, you’re missing out on a great deal. It’s not that there’s nothing to be afraid of, but if that’s going to be the primary focus of your life, you’ve already surrendered. And if fear is the reason you want to arm yourself, you’re probably the last person who needs to be armed for all of our safety.'”
“Was the Christian God cool with slavery? Slave owners sure thought so — and had plenty of Biblical canon to support it. Abolitionists disagreed. Did God want women to vote? Not according to anti-suffragists. Suffragists were convinced otherwise. If society continues this descent into level-headed compassion, fifty years from now people will be claiming that God is pro-fur and factory farming. When one cannot defend a belief in the current context, moving the framework back a few thousand years and putting the blame on God is a pretty good fallback strategy.
I know, I know. There’s only one God and he is not at all ambiguous: he agrees with you. It’s all right there in the Bible or whatever holy book you believe in, as you have decided to interpret it. It’s perfectly clear, right?”
“The archaeologists, Erez Ben-Yosef and Lidar Sapir-Hen, used radiocarbon dating to pinpoint the earliest known domesticated camels in Israel to the last third of the 10th century B.C. — centuries after the patriarchs lived and decades after the kingdom of David, according to the Bible. Some bones in deeper sediments, they said, probably belonged to wild camels that people hunted for their meat. Dr. Sapir-Hen could identify a domesticated animal by signs in leg bones that it had carried heavy loads.”
“In short, while materialism encourages that characteristically modern form of political collectivism in which sacrifices that bring about the greater good are taken to be morally imperative, at the same time it leads to a world of individuals who have a sense of their own absolute uniqueness and importance—if only to themselves. The attempt to find a standpoint that can integrate this radical individualism with the claims of the common good is the great underlying ethical and political problem of modern life. It also gives a framing perspective to Ronald Dworkin’s marvelous little book, Religion without God, and helps explain how a brilliant young lawyer like Dworkin should have ended up pondering issues of theology.”
“And in the past few years, we have seen pro-life Christian groups successfully lobby State legislatures to restrict access to abortions. They have also raised religious, not public policy, objections to the government funding birth control.
But here’s the alarming thing: These views are no longer the fringe of American politics. They are increasingly becoming mainstream conservative fare.”
“Where Coots is different is that he was just following the Bible as he interpreted it. Coots was just reading the Bible literally. It’s something that many Americans do on a daily basis. But God’s Holy Word is more dangerous than you’d think.”
“I like myths. I put a lot of credence in them.”
“If you want your children to be intelligent, read them fairy tales. If you want them to be very intelligent, read them more fairy tales.”
“I am not so sure. But I know I won. Every word I wrote is burned into me, flesh and blood and breath. By throwing them away, I made them even more mine, something nobody could take away even if they killed me, secrets hidden inside me, in the only places I had left.
Now I write other stories. Between the bars, I catch glimpses of those things. Exorcism is an ongoing process.”
“Divinity reveals herself in all things. Everything has Divinity latent within itself. For she enfolds and imparts herself even unto the smallest beings, and from the smallest beings, according to their capacity. Without her presence nothing would have being, because she is the essence of the existence of the first unto the last being.”
“The work of the Greek polymath Plato has kept millions of people busy for millennia. A few among them have been mathematicians who have obsessed about Platonic solids, a class of geometric forms that are highly regular and are commonly found in nature.
Since Plato’s work, two other classes of equilateral convex polyhedra, as the collective of these shapes are called, have been found: Archimedean solids (including truncated icosahedron) and Kepler solids (including rhombic polyhedra). Nearly 400 years after the last class was described, researchers claim that they may have now invented a new, fourth class, which they call Goldberg polyhedra. Also, they believe that their rules show that an infinite number of such classes could exist.”
“If no human can check a proof of a theorem, does it really count as mathematics? That’s the intriguing question raised by the latest computer-assisted proof. It is as large as the entire content of Wikipedia, making it unlikely that will ever be checked by a human being.
‘It might be that somehow we have hit statements which are essentially non-human mathematics,’ says Alexei Lisitsa of the University of Liverpool, UK, who came up with the proof together with colleague Boris Konev.”
“A set of mathematical laws that I call the Improbability Principle tells us that we should not be surprised by coincidences. In fact, we should expect coincidences to happen. One of the key strands of the principle is the law of truly large numbers. This law says that given enough opportunities, we should expect a specified event to happen, no matter how unlikely it may be at each opportunity. Sometimes, though, when there are really many opportunities, it can look as if there are only relatively few. This misperception leads us to grossly underestimate the probability of an event: we think something is incredibly unlikely, when it’s actually very likely, perhaps almost certain.”
“Throughout history, anatomical illustrations have been made using the recently deceased as models, and many of Leonardo’s sketches were no exception. Ashrafian says that the man who served as Leonardo’s model for his illustration of human perfection probably had a hernia. If the model was a corpse, the hernia may have been what killed him. If he was a live model, he may ultimately have died from its complications.”
“The MU Libraries have more than 3 million books in their collections, and they ran out of space to store those books years ago.
Recently it was discovered that 600,000 books, approximately 20 percent of MU’s entire collection, were covered in mold. The damaged books were being stored in an underground cavern north of Interstate 70. The cavern, Sub Terra, is run by an independent company.
The books in storage were lesser-used books that the libraries did not have room for in their open stacks. Some of the stored texts were published prior to the Civil War.
Library administrators will not be able to save all 600,000 texts because there is not enough money in library funds to do so.”
“Back in 2012, when Canada’s Harper government announced that it would close down national archive sites around the country, they promised that anything that was discarded or sold would be digitized first. But only an insignificant fraction of the archives got scanned, and much of it was simply sent to landfill or burned.”
“We should always fear the fate of our libraries, historically proven and currently demonstrated”
“It’s no great secret that the world of publishing is changing. What is a secret is how much.”
“Microscopic investigations on the world famous statuette from the Gravettian period (30,000 to 22,000 years ago) carried out at the Natural History Museum in Vienna revealed three incredible insights, and when taken together tell a secret story of this Palaeolithic figurine and her creators.
· The limestone from which the 11cm high Venus had been carved, comes almost certainly from the region around the Moravian city of Brno 136km to the northeast of Willendorf.
· The source of the flint blades discovered with the figure was North Moravia, a further 150km to the north.
· The Venus had once been completely painted with red ochre, and given the ritualistic associations of this material meant that the figure was more than likely a cultic object.”
“Old Man and Old Woman settled their ancient bones back into the remnants of creatures native to their wild domain, no doubt having missed their shrine and the once regular offerings to be found there. The Moon’s candle was restored to its place above breasts and belly carved from stone, surrounded by offerings. She eats beeswax greedily like blood offerings, leaving nothing behind. A candle lit to welcome the spirits back with sweetest incense burned and fresh water poured to sate their hunger. The spirits sigh happily, the new house sighs like a person with a once empty belly filled. Even breathing feels easier now with the altar and all its spirits in their proper place of reverence.”
“At last love has come. I would be more ashamed
to hide it in cloth than leave it naked.
I prayed to the Muse and won. Venus dropped him
in my arms, doing for me what she
had promised. Let my joy be told, let those
who have none tell it in a story.
Personally, I would never send off words
in sealed tablets for none to read.
I delight in sinning and hate to compose a mask
for gossip. We met. We are both worthy.”
“Happy Lupercalia! Blessed Full Moon! (If you see half naked boys running w goatskin whips, you may wish to stay out of their way. Or not.)”
“It is necessary to DARE what must be attempted.”
“The research, conducted by Erin Buckels of the University of Manitoba and two colleagues, sought to directly investigate whether people who engage in trolling are characterized by personality traits that fall in the so-called Dark Tetrad: Machiavellianism (willingness to manipulate and deceive others), narcissism (egotism and self-obsession), psychopathy (the lack of remorse and empathy), and sadism (pleasure in the suffering of others).
It is hard to underplay the results: The study found correlations, sometimes quite significant, between these traits and trolling behavior. What’s more, it also found a relationship between all Dark Tetrad traits (except for narcissism) and the overall time that an individual spent, per day, commenting on the Internet.”
“disagree, awful poster… delete”
“If you’re going to cover your eyes and plug your ears, at least have the courtesy and self-awareness to also shut your mouth.”
My observation is this: stalkers, trolls and antagonists refuse to mind their own business and stop interfering with other people. Of course, they will say it is their Will to do what they do, but what they are really is a slave to their deep-seated emotional and psychological need for validation; and are not pursuing any kind of True Will, life purpose, of their own at all, but attempting to salve the sucking wounds they suffer from deep seated damaged desires at the expense of others, instead of seeking therapy or properly self-medicating themselves out of the way.
They are, in fact, some kind of Black Brothers, one and all. These creatures captured by their own egos are all unable to reconcile their deep psychological wounds and damaged personalities with the right of others to simply say “No!” to anything more to do with them. And, even this denied right to say “No!” is predicated on the illusion that the other has ever said “Yes” to begin with, and ends up being a kind of broken opt-out mechanism from abuse. What it comes down to is this fact: there are some people who hate themselves so much, and, because they are unable to reconcile that feeling, they will externalize their hate on anyone or someone specific that is a convenient target. After all, it is injustice that they can’t have their infantile demands fulfilled forthwith by someone else! There are sometimes even legendary levels of ultimately meaningless constructed illusion and phantasm completely divorced from reality necessary to justify their actions.
Disingenuous self-justifications may be proffered such as that they are “helping” people but at the core they are focused on what other people are up to and emphatically not doing their own work, or that they are being righteous and seeking justice, but at the core they are focused on getting others to do something that serves not the other but the person doing the interfering.
Maybe a dumb example, but (the primary advantage of this anecdote is that he’s dead now and is thus quite unlikely to throw a tantrum or have a hissy fit): my father used to do things like say he wanted to take me to a shop to buy me a gift. We would then go to some store, usually some place he suggested; and there he would say I should look around for something I liked. However, while I was looking he would do everything in his power to steer me to some specific items he had already selected, under the guise of attempting to “help” me find something I liked. In the end, if I was not amenable to being herded toward selecting as my choice some pre-selected gift he would get frustrated and create some kind of row in order to get out of buying me anything at all other than his gift, or anything at all if I still not a willing to succumb to the inexorable indirect demand to do what he wanted, which he could have simply purchased without my involvement in the process to begin with; thus proving that there was ulterior motive to the drama. In the end, I simply refused to participate in the sham any longer as it was a waste of my time and personally insulting to be expected to act as a puppet in the pantomime.
This kind of “helping” is a deeply suspect kabuki, entirely a constructed plot that the “helper” is attempting to manipulate others into acting out for them, usually in order to get some validation for themselves. In any case, the script appears to be written out of a desire to control others. In other words, these would-be centres of attention and sycophantic demanders of praise are of the vicious and venomous creeping conviction that they are the lead actors in someone else’s story when, in fact, they are not likely to even be more than a voiceless, faceless and uncredited extra, at most.
Stalkers, trolls and antagonists are not following their True Will, but are grasping desperately onto the tails of other people going about their own work and Work. This is fundamentally the opposite of finding and expressing one’s own True Will but is unilaterally and co-dependently demanding to be allowed into orbit around someone from whom they think they can suckle attention and feedback, positive or negative. These people are psychic vampires in need of being staked, and diseased social boils in need of being lanced.
Unfortunately, the heroic and hopeful Van Helsing and Dr Kildare in their attempt to be free from such interfering influences appear to be the aggressive party when they attempt to implement a cure to this parasitic perfidy. Those stalkers, trolls and antagonists fly into hysterics at the affront when confronted, and flop into pseudo-victimized apoplexy; violently dramatizing their plight at the hands of their target who dares try to defend themselves from distracting bites and defenestrate the annoying insects. And, unpleasantly, when one manages to eject the trash, the stench of its passing lingers far too long.
[Originally posted over on John Griogair Bell’s Blog at A preliminary initial Thelemic analysis of Stalkers, Trolls and Antagonists]
“SOME months back two wealthy gentlemen where lunching at the Knickerbocker Hotel, in New York, where all movie magnates seem to make a habit of foregathering. They were trying to think of a book to ‘film.’ A pause. One suggested Victor Hugo’s ‘Hunchback of Notre Dame.’ ‘A grand sweet story! Some story! Some Punch! Some pep!’ A longer pause. ‘Say, why, in out film, shouldn’t that hunchback marry the beautiful gipsy chicken?’ ‘But, say, we can’t have that little pippin tied to a hunchback.’ ‘I got it, bo, we’ll get a Johns Hopkins guy to straighten him out on the operating table.’ ‘Say, you’re some artist, Al.'” [via]
“If you examine it closely you will perceive how obvious the correspondence is between this story and the story of the death of the Christian Master related in the Gospels; and it is needless to say that the Mason who realizes the meaning of the latter will comprehend the former and the veiled allusion that is implied. In the one case the Master is crucified between the two thieves; in the other he is done to death between two villains. In the one case appear the penitent and the impenitent thief; in the other we have the conspirators who make a voluntary confession of their guilt and were pardoned, and the others who were found guilty and put to death; whilst the moral and spiritual lessons deducible from the stories correspond.” [via]