Tag Archives: Sweden

Salomonic Magical Arts

Salomanic Magical Arts translated and introduced by Fredrik Eytzinger, is available from Three Hands Press. The special leather-bound and deluxe hardcover editions are both sold out, but a standard hardcover edition are still available.

Fredrik Eytzinger Salomonic Magical Arts from Three Hands Press

“Amid the great genres of European magical books are the Scandinavian Svartkonstböcker or ‘Books of Black Arts’, the privately-kept practical manuals of magic used by rural charmers and practitioners of folk magic. Incorporating charms, prayers, and curses, as well as medicine, alchemy and physical experiments, many of these books survive today in universities and private collections. While bearing some relationship to the corpus of European grimoires which feature angelic and demonic magic, the Svartkonstböcker as texts of magic are in a class all their own.

Salomonic Magical Arts consists of two such volumes, originally handwritten in the early eighteenth century. Named The Red Book and The Black Book by one of their owners, they passed through the hands of priests and cunning men before coming to rest in academic institutions. Invoking a variety of spirtual powers ranging from Christ to Beelzebub, its magical formulae, numbering in excess of 450 individual receipts, serve as a testament to the endurance of sorcery in the early modern era. First published in Swedish in 1918, Salomonic Magic Arts is here published in English for the first time.

Introducing the work is a substantive introduction by the translator, which places the book in its cultural and magico-historical context, including Swedish cunning-folk traditions (trolldom) the European grimoire tradition, traditional magical healing, pagan belief, and the relationship between folk magic and the church.” [via]

Contemporary Esotericism: International Conference at Stockholm University, Sweden, August 27-29, 2012

Via Egil Asprem’s blog Heterodoxology: Exploring the Heterodox in Science, Religion, and Politics, the International Conference on Contemporary Esotericism has put out a Call for Papers with a deadline for abstracts of March 30, 2012.

“The primary aim of this conference is to place contemporary phenomena on the agenda of the study of esotericism. Thus we welcome papers dealing with contemporary and recent developments in “classic” esoteric currents – e.g. within Theosophy, Anthroposophy, Freemasonry, Rosicrucianism, and ritual magical currents – as well as esoteric developments of particular relevance today – e.g. Chaos Magick, Satanism, and (neo)paganism. We also strongly encourage papers dealing with theoretical and methodological issues that are particularly pertinent to the study of contemporary esotericism, as well as papers dealing with the societal, cultural, political, religious etc. contexts of esotericism today. This can include discussions on the role played by the esoteric in modern politics (e.g. the new right), grassroots activism (e.g. deep ecology and the animal rights movement), science (e.g. parapsychology, neurotheology, “New Age physics”), healthcare (e.g. alternative medicine), popular culture (both entertainment media and in broader contexts such as kitsch, consumer, and fan culture), and modern interactive communications media (e.g. mediatization and the effects of changing modes of mediation), as well as the simultaneous influence of these and other fields on esoteric notions, beliefs, and practices. General theoretical discussion on the potential usefulness of sociological terms and concepts such as globalization, secularization, and the post-secular in the study of contemporary esotericism is also encouraged. The conference should function as an interdisciplinary meeting place where scholars from a multitude of disciplines and with different approaches and perspectives can come together to learn from each other.”

Rune stone, Herrstaberg, Östergötland, Sweden

 

The Hermetic Library visual pool is a visual scavenger hunt for images of a living Western Esoteric Tradition.

Images of your ritual or ritual space, images of sigils or tools, showing off your own library or special volume from the restricted stacks, sacred spaces and places, esoteric artefacts and installations, inspired paintings and people – these and much more are part of the culture and practice of magick.