Tag Archives: thoth tarot deck

Aleister Crowley: Used and Rare Books and Ephemera

You may be interested in Weiser Antiquarian Book Catalogue #106: Aleister Crowley: Used and Rare Books and Ephemera.

“This catalogue is made up of seven sections, the first of which is a mixed collection of books and ephemera by Crowley himself. It includes some truly stunning manuscript and typescript items, notably the original typescript of an unpublished film-script entitled “The Stolen Post-Office,” a murder mystery with a dissolute cocaine-fiend as the villain whose friend, “Snowbird Jim” starts out bad but ends up good under the influence of dance-hall-floozy come tart-with-a-heart “Dago Flo.” There is also a typescript of Crowley’s Liber Aleph that circulated amongst Crowley’s followers shortly before his death, and a small collection of documents relating to Crowley’s failed attempt to get to America during the Second World War, including an envelope on which Crowley has written “From my Gaoler.” Manuscript materials include an original manuscript poem that was later published in Konx om Pax, a note in which Crowley suggests a course by which the Thoth tarot deck might come to be his path-way to riches, two letters to Frieda Harris, and a remarkable note in which Crowley suggests Oscar Wilde to have been guilty of plagiarism! Amongst the less common printed texts in this group are a copy of Crowley’s The Man That Put the O.K. in Book, a booklet that is as sycophantic as it is scarce, the softcover version of the 1992 Mandrake Press Ltd edition of the first eleven numbers of The Equinox (oddly the only edition that is a true facsimile of the first edition), and the memorable “Scratch ‘n’ Sniff” edition of Leah Sublime (1996), which was surely in part a hommage to John Waters’ “Polyester” and its “Odorama.”

The second section comprises “Books and Journals Relating to Crowley, Thelema, and Associates,” and includes two unusual inscribed booklets by Crowley’s one-time disciple C. F. Russell, while the third section is devoted to the publications of Marcelo Motta and his “Society Ordo Templi Orientis.” The fourth section showcases one limited edition booklet, of which we have secured a few signed copies: Timothy D’Arch Smith’s fascinating piece of literary detective work Bunbury. Two Notes on Oscar Wilde (Aleister Crowley and the Origin of “Bunbury” & A Source for the Importance of Being Earnest).

The fifth section of the catalogue is titled “Beardsley, the Beast, and his Bookplate,” for it brings together a small collection of books that in one way or other relate to the Aleister Crowley bookplate with design by Aubrey Beardsley. For many years the bookplate was almost legendary – there were various references to its existence, but no-one appeared to have ever actually seen a copy. It was a subject that fascinated Nicholas Bishop-Culpeper, who put together the small collection of books and journals in this section. Also included is a folder with a facsimile of the bookplate, and various ephemera relating to it that was assembled by Nicholas. The penultimate section: “The Beast Observed: in Memoirs and Fiction,” comprises a disparate group of biographies, memoirs, etc., all of which contain at least some reference to Crowley. Of particular note are two copies of Betty May’s Tiger-Woman, the memoirs of the widow of Raoul Loveday, the former Oxford student who died whilst staying at Crowley’s Abbey of Thelema in Cefalu, which give an interesting first-hand account of life at the Abbey. Curiously Tiger Woman is referenced in another book in this section, Taylor Croft’s The Cloven Hoof: A Study of Contemporary London Vices (1932), a delightfully breathless romp through the seedy underbelly of London in the 1920s and early 1930s. The catalogue ends with a collection of London Auction room catalogues form the 1950s through the 1970s. This was the period when many of important collections of Crowley’s works – often those of people who knew him – were dispersed at auction, and the catalogues sometime provide valuable bibliographical and biographical data.” [via]

Gnostica

I noticed that Dionysius posted his discovery of Gnostica, a game played with pyramids and tarot cards.

“This game looks like great fun. Tarot cards and pyramids; what’s not to like?” [via]

I’m going to try really hard to keep this relatively brief, and avoid going down the rabbit hole of talking about everything there is to say about this game and the topic of Looney games. But, I’ve got to say something!

“Gnostica is an abstract territory based war game. Tarot cards make up the often-changing board, and players use Icehouse pieces to represent minions that control those territories. Every tarot card has a power, and when a player has one of his pieces on a territory, he or she may use the power of that territory through that piece. Players also have a hand of tarot cards which allow them to use those powers through any of their pieces. Territories are worth points when occupied, and the game ends when one player challenges the other players and has 9 points on his or her following turn.” [via]

While you do need a deck of some kind, you don’t really need to use a tarot deck. I made my personal deck out of blank note cards. Actually, I made both a Gnostica and Zarcana deck, because I wanted to play the two similar games and compare. However, there is no denying that a real tarot deck would look awesome during play, and have to bonus of freakin’ our both the squares and the uptight. It has always been my plan to dedicate a Thoth tarot deck toward this purpose, but I’ve not yet done that.

Other than a deck of cards for territory, you’ll need a number of Looney Pyramids. Think of the pyramids kind of how you do a deck of cards, something that is used to play a large number of games. There’s a whole lot of history to these pyramids, which you can find and read; but, you should take a gander at IcehouseGames.org Wiki, the fan-built wiki of games that people have designed for play using the pyramids to get an idea of how these are used.

There are actually a large number of pyramid colours that have been available over the years, though currently there are two sets of colours that come boxed together. In order to play a game of gnostica, you really should have five boxes of Looney Pyramids so that you have a stash of 15 of each colour, since 3 of each colour come in each box. The pyramids themselves come in three sizes, each having 1 to 3 pips on them, so a complete stash of 15 pyramids of the same colour will have 5 of each size.

And, I can personally vouch for the way that one can become a little bit obsessed with all the various accessories and tchotchkes.

If you’re interested in the Looney Pyramids, and games you play with them like Gnostica, you may also want to look at some other nifty games from Looney Labs, like Fluxx (including a planned Cthulhu Fluxx at some point!) and Chrononauts.

The Looney Pyramids and Fluxx games are part of a set of games that have flexible or self-amending rules, and I personally find the way I think about playing these games to be similar to the way I think magically. I keep meaning to write my thoughts about that down, and had the notion of a class on “Games Magicians Play” where I would share my thoughts with others. To just put this out there then, I find the need to be flexible and adaptable, while still maintaining a focus on intention, to be an excellent way to play with magical thinking outside of ritual.

Of course, for me, this all started with Peter Suber’s Nomic, which is one of the first games of self-amendment I ever explored. Problem was, it just wasn’t fun. And, if the single necessary and sufficient Nomic rule is “all players must agree on the rules of the game” then it seems to naturally follow as a corollary that “all games should be fun” … you know, unless you’re into the kink of playing games that aren’t fun, I suppose. But, these games from Looney Labs have always seemed to fit that necessary and sufficient core rule and its corollary; they have always maintained a consistent level of fun and interest for me that no other games have sustained.

Check out Gnostica, or the other Looney Labs games, and let me know what you think about my hypothesis about them being a game that mirrors magical thinking, or if you have games you think other magicians should know about consider letting me know or sending me a review of them.