Tag Archives: Thrillers – Crime

Ambergris

Hermetic Library Fellow T Polyphilus reviews Ambergris [Amazon, Bookshop, Publisher, Local Library] by Jeff VanderMeer, a combined volume with City of Saints and Madmen, Shriek: An Afterword, and Finch.

Vandermeer Ambergris

Jeff Vandermeer’s Ambergris is named for the fantasy city in which the three component volumes transpire, one that compares to the Well Built City of Jeffrey Ford and the Viriconium of M. John Harrison. This “New Weird” setting is introduced in a kaleidoscopic fashion through a collection of shorter pieces in City of Saints and Madmen, each written in a different documentary register. One of these, “The Strange Case of X” involves some transformations of veridicality reminiscent of the fantasizing technique in Paul Park’s Roumania and the John Crowley stories “Conversation Hearts” and “Anosognosia.”

There is a sort of talmudic textuality to the second book Shriek: An Afterword. Janice Shriek claims to be writing a biography of her brother Duncan, and she includes excerpts from his journals. But he has reviewed and annotated her MS, although she seems to think he is already dead. Another editorial layer is added at the end. The “Afterword” is (at least initially) supposed to be end-matter to Duncan Shriek’s “History of Ambergris” pamphlet that forms a portion of City of Saints and Madmen. In the course of the biography-cum-confession the reader is introduced to a tension between “Nativist” denial and the Shrieks’ acceptance of human contingency and the mysterious mycelial agenda.

The third book Finch is a sort of noir detective story with an espionage substructure and Cronenberg horror esthetics. It reminded me of Mieville’s The City and the City, and I also detected something shaped like the corpse of Fleming’s Casino Royale with psychedelic mushrooms sprouting all over it. It is divided into seven long chapters named for the days of the week over which the story takes place, and I serendipitously fell into the rhythm of reading them on the corresponding days of the last week of April.

This Farrar, Straus and Giroux omnibus reprint is a beautiful book, and it provides a long and satisfying read. I did take pauses between each of the three books within. I gather that some editions of Ambergris: City of Saints and Madmen under its own cover have additional content not included here, and I would be happy to spend time reading that at some point.

Seven Demons

Hermetic Library Fellow T Polyphilus reviews Seven Demons [Amazon, Bookshop, Publisher, Local Library] by Aidan Truhen.

Truhen Seven Demons

Seven Demons is a second smoking stream-of-psychopathy tale in the comma-abstemious voice of criminal entrepreneur Jack Price. The book thinks it wants to be a heist thriller, but it is programmatically ambiguous about that intention. Price takes his team to Switzerland where he learns much about Swissness, foes and friends die, and Nazis get satisfyingly obliterated.

The story offers a lot of entertaining dialogue, often featuring the distinctive exchange of double-quoted ellipses as a conversation reaches an absurd impasse. Jack has some awesome pillow talk with the global science felon who is his not-girlfriend (87-9) and delivers a not-unrelated monologue on the art of cunnilingus (180-1).

The prior book The Price You Pay was so amusing and sui generis that I was prepared for a certain level of disappointment here. Nevertheless, Seven Demons made me LOL all the way down to my crime testes on a regular basis. I will not be surprised to see another book after this one of Jack Price just trying to get along in the world, and I will gladly read it.

The Price You Pay

Hermetic Library Fellow T Polyphilus reviews The Price You Pay [Amazon, Bookshop, Publisher, Local Library] by Aidan Truhen.

Truhen The Price You Pay

The Price You Pay is entirely in the first person voice of Jack Price (pun intended and explicitly emphasized) and his immediate interlocutors, present tense, all internal monologue and external dialogue with not a quotation mark in sight, not even that em-dash alternative, and never a “he said.” Simple paragraph breaks and sparing direct address do all the heavy lifting of speaker identification, and they do it well.

Where plot is concerned, the book is a clear if remote descendant of John Buchan’s seminal “thriller” The Thirty-Nine Steps, although set in the 21st century with an elite coke dealer protagonist and a lot more collateral damage (also, no war propaganda). To the episodic man-on-the-run structure are added extra helpings of violence, plus the energy and ambivalent misanthropy of an early Chuck Pahluniuk novel.

“I am a fucking asymmetric criminal startup. I got limited expertise in criminal strategic warfare. I hotdesk and I outsource and I franchise but what I mostly have is a core concept, forward momentum and the unassailable fact that I’m crazier than a fibreglass hairball.” (73)

I don’t think this book has any socially redeeming value other than being twisted and funny as hell.