“A fairy!” hooted the centaur, throwing back his head and laughing wildly. “Why in the name of Pan would anyone ever waste their time on those silly little pests!
Anna Elizabeth Bennett, Little Witch
“A fairy!” hooted the centaur, throwing back his head and laughing wildly. “Why in the name of Pan would anyone ever waste their time on those silly little pests!
Anna Elizabeth Bennett, Little Witch
An irregular hodgepodge of links gathered together … Omnium Gatherum for June 25th, 2014
Eddy Stevens’ Magical Paintings Capture The Bond Between Woman And Horse — Ellyn Ruddick-Sunstein, Beautiful/Decay
Considering the importance of the Vault of the Adepti to the Golden Dawn and of the Tomb of the Founder, Christian Rosenkreutz, to the entire Rosicrucian movement, the discovery of the tomb of the Golden Dawn’s Rosicrucian founder, S.L. MacGregor Mathers (nearly 120 years after his death), is an event of unparalleled Rosicrucian and magickal importance.
Sacred necklaces, guias or elekes are a form of talismans with a rich and long history both as sacred decoration, as an extension of the witches ladder or cord and in the form of prayer beads, they be the Hindu mala or the Catholic rosary to Freya’s brisingamen. In Lucumi a set of elekes are given to mark the first step towards initiation where the candidate binds himself to the godparents responsible for giving the elekes.
No one is safe, but especially you (I don’t know why, you just seem sort of fragile and susceptible to accidents). At any rate, the Illuminati grows stronger every day, and it is only a matter of time before they control every aspect of your life — no detail too small. It would be too dangerous to overlook the evidence. Let this carefully curated list of Illuminati hotspots guide you, strike fear into your heart, and who knows, maybe even protect you. Godspeed.
In the process of trying to defend my faith, I started thinking the other point of view was the stronger one.
In 12 years of touring with As I Lay Dying, I would say maybe one in 10 Christian bands we toured with were actually Christian bands.
The thing about nascent movements like this is that it’s hard to know when to pay attention and when to ignore them. If you ignore them they can grow in the dark, like mushrooms on dung. If you make too much fuss, you can attract idiots–particularly extremist idiots–who automatically assume that anything normal people find objectionable must be awesome, radical, and “not PC” and therefore good.
According to Hughes, these curious shepherd’s crooks first appeared in the 1770s as part of a fashion fad, possibly inspired by ceremonial maces. They saw a resurgence in the 1820s, and they continued to be known throughout the nineteenth century. The first clue that we have as to their use as “charm sticks” is in Soames’ Curiosities of Literature, from 1847, dealing with superstitious practices in Devon.
At this point, it seems that the glass rods were originally created as fashion accessories, which later became associated with disease and good luck, and later became explicitly connected with spirits.
His behavior is minutely chronicled by his biographers; whatever we think of him, we should at least get the facts of his life straight.
— Nathan Kesling (@nathan13109) June 24, 2014
Came across a great term for prostitute-witches in antiquity: Witch-bawd.
— Sarah Veale (@sarahveale) June 24, 2014
Could it be that Stonehenge was actually a prehistoric glockenspiel?
“Everybody’s been running a silent movie of prehistory for so long,” [Paul Devereux] said. “We’re only just now trying to recover the soundtrack.”
The origin of the television set was heavily shrouded in both spiritualism and the occult, Stefan Andriopoulos writes in his new book Ghostly Apparitions. In fact, as its very name implies, the television was first conceived as a technical device for seeing at a distance: like the telephone (speaking at a distance) and telescope (viewing at a distance), the television was intended as an almost magical box through which we could watch distant events unfold, a kind of technological crystal ball.
Andriopoulos’s book puts the TV into a long line of other “optical media” that go back at least as far as popular Renaissance experiments involving technologically-induced illusions, such as concave mirrors, magic lanterns, disorienting walls of smoke, and other “ghostly apparitions” and “phantasmagoric projections” created by specialty devices. These were conjuring tricks, sure—mere public spectacles, so to speak—but successfully achieving them required sophisticated understandings of basic physical factors such as light, shadow, and acoustics, making an audience see—and, most importantly, believe in—the illusion.
[Julian] Cope’s sentence structures collapse into rhythmic repetition and editorially suspect sub-clause clusters, three at one point all ending in the same three words, and all heroically deliberate. One section attempts to convey a character’s drugged confusion by repeating variations on the same three letters for five pages. The fool persists in his folly. He becomes wise. Likewise the eighty minute drones of cope’s Queen Elizabeth records were a conscious choice. “Yes,” he agrees, “I didn’t just stumble across a sound and then forget to turn it off. And I worked really hard on the cadences of the book, on the rhythms. That’s the musician part of me. People will get it who wish to get it but I don’t want to turn on tossers.”
“It’s like Christianity,” Cope says, brilliantly comparing his fiction debut with a major world religion of some 2000 years standing, “If you’re going to stand on street corners shouting you’re only going to pick up people who are utterly lost. I don’t want people attaching themselves to me who are lost. I want them to already be in some way on a trip. It’s demanding but great art is demanding. I really wanted to write something that people could complete themselves.”
Just remember that you were likely a “sheep” once too.
Alas, this sort of insular arrogance is not only more prevalent than we’d like to admit, it’s our own worst enemy. The idea of stupid, hopeless “sheeple” evokes the contempt that a hardcore Statist has for human ability, reason, freedom, and – for lack of a better word – spirit.
In short, the bell, book, and candle are used to damn people to hell. And sure, they’re all objects, but they’re not the same kind of objects! What are they doing together? What’s going on?
Drink, eat, have fun, make love.
I did not have much wealth or much property for my livelihood, but I worked hard and gained a modicum of learning. This enabled me to assist my friends, as far as I was able, freely putting the ability I had at the disposal of all. Helping anyone who was in need was a joy to me, as, in the case of other people, prosperity brings joy to the heart. Let no one deluded in his wealth harbour proud thoughts, for there is one Hades and an equal end for all. Is someone great in possessions? He receives no more, (but) the same measure of earth for a tomb. Hasten, mortals, gladden your souls at all times as (allegedly) a pleasant way of life is also the measure of existence. So, friends. After this, no more of this—for what more is there?
Many men tend to contradict on every point,
but contradicting rightly’s out of vogue.
Well, as for them there’s one old saw that’s all we need:
‘you can keep your opinion, I’ll keep mine.’
But the intelligent are soon persuadable
by reason, and they’re easiest to teach.
It’s no secret that in the Gnostic Mass, this central rite, involves a (fully dressed) priest, a (usually naked) woman on the altar, a simulation of hetero sex initiated by the priest, and a simulation of fellatio performed by the priestess. There’s a lot more involved — more people, more symbolism, magick words, all that great stuff — but these two roles are fixed. A woman may never serve as the priest, and a man may never lay upon the altar. When I asked about that, the instructor burst out laughing, “What, with some dude’s dong on the altar?” He was amused and horrified in equal parts.
I should stress that I don’t hold this lodge at fault, nor, necessarily, its members. They’re passing along the tradition as it’s given to them. Ok, they weren’t challenging it — true — but they didn’t invent it. They made it clear that any deviations in the performance of the Gnostic Mass meant it was no longer an OTO rite. This was it. I could learn to accept it, or leave.
Four years after Warburg’s death, the collection of about 80,000 books, many rare Renaissance volumes, was moved to London as Nazism took hold in 1930s Germany. However, the University of London is now seeking to challenge the status of the deed of trust it signed in 1944 when accepting the collection.
That document promised to maintain and preserve the collection “in perpetuity” as “an independent unit” – a pledge that now appears onerous as the Warburg runs a reported £500,000 annual deficit.
Professor Grafton meanwhile raised concerns over the future of the “highly skilled librarians” at the Warburg, which also has a small number of academic staff who supervise arts and humanities graduate students each year.
Further, there is speculation that a court defeat would mean that the collection would return to Hamburg where much of the Warburg family is still based. The US-based branch of the Warburg family are also known to have taken a keen interest in the case.
If you’d like to participate in the next Omnium Gatherum, head on over to the Gatherum discussions at the Hrmtc Underground BBS.
“Moonwatch was designed as a concept by The Emotion Lab to establish a relationship between the moon cycle and a person’s emotional states. It’s a new concept of time based on nature which invites people to reflect upon and gain a closer understanding of their mood and daily life on earth.
The moon has been a guide and object of admiration and mysticism during thousands of years. Agriculture, fertility, tidal patterns, human behaviour and many other activities have been linked to the different moon phases.
With Moonwatch, a person is always able to determine exactly what phase the moon is in. Clouds, pollution or a general ignorance to the moon cycle are no longer an issue. With time and observation, a person can find patterns which sync their behaviour or happenings to the different phases.
The Moonwatch also indicates the time with a user being able to switch between the two interfaces with a push of the button. During the day, the time is indicated with a black background and during the night the interface changes to white in order to improve visability.
A small solar cell helps to charge the watch; another analogy which highlights the relationship between sun and moon.
The watch’s simplicity and improvements with the interaction between watch and user complete the design, which fuses nature and technology to generate new emotions within the user.” [via]
First review: for those, who (like me) have previously followed Palahniuk’s work with great interest and have read several of his other books. This one is a winner. It does use the anagnoresis formula that he refined in his early novels, but it does so better than ever. It also involves the praeternatural dynamics of stories like Lullaby and Diary, but this time the approach is science-fictional rather than fantasy-occultist. The “oral history” conceit plays to Palahniuk’s strengths of idiosyncratic voices, unreliable narration, and epigrammatic punch. If you’ve read and enjoyed other Palahniuk books, you know you don’t want me to tell you the plot, but the key themes include epidemiology, perception of time, control in urban societies, and messianic mythopoeia.
Second review: for the uninitiated. This book will take you for a wild ride. If you want a nice linear plot development where each piece immediately makes sense by being added to the ones that have come before, don’t bother. In fact, the author exhibits the entire story on page four, in a sort of one-paragraph Shakespearean prologue replying to the question of how the speaker got such a good deal on an airplane ticket. But don’t get too comfortable in the first hundred pages, because when you leave the small-town setting, you won’t be in the world you had likely imagined. And you’ll have no idea what’s really going on until the last 20 pages out of over 300. What you will have is more sardonic humor, gutwrenching pathos, and profound ideas than you can shake a stick at. If you can take that sort of bewilderment, then by all means you should.
Third review: for my brother and sister Magicians. You never thought the Secret Chiefs could be like this! I’ll see your Mahatma and raise him a Phil Dick and two David Cronenbergs. “Sun and moon give time the form of day and night. Sushumna is the eater of time. This is declared to be a secret.” (Hatha Yoga Pradipika 4.17) [via]
An irregular hodgepodge of links gathered together …
Luise Henriette Wilhelmine von Anhalt-Dessau as Diana, 1765 [via]
“‘Most people here, I imagine, love to read,’ she continued. ‘[The esoteric] really encourages that kind of bibliomania. And if you’re someone who loves to read, you’re also someone who is comfortable being an autodidact, comfortable seeking out knowledge externally and also within yourself. And [you trust] the patterns that that weaves, as opposed to relying on someone else to tell you what wisdom is or what divinity is.'”
“‘My take on it is, [occultists] aren’t necessarily interested in a truth or a singular truth,’ he said. ‘I think they’re interested in a consensus-based or consensual, metaphorical set of constructs that become truth-like.’ He viewed his community as being a place of infinite individual systems of reading, practice and belief — combined and coalesced only by their commitment to individual agency.”
“Which brings us to the fuzzy ‘between spaces’ where apophenia meets synchromysticism. Given that old gods regularly become new angels, then new goddesses may become largely-hoax angels. And so I see the goddess Apophenia hiding behind the Angel of the Thames.”
“Muriel Bruce Hasbrouck (1890 — 1981) was a student of both Paul Foster Case and Aleister Crowley. She dedicated her book to these two men, a lesser-known book entitled Pursuit of Destiny, written in 1941. … Here are her keywords for the Minor Arcana Suits and Numbers. […] So, by putting these keywords together, you can see how they create meanings for each of the forty Minor Arcana.”
“A Tellurium clock combines both clock and orrery in a single movement. Last week I received pictures from Marc Maradan of a Tellurium clock he is working on. Marc is a process engineer based near Bern in Switzerland.
Inspired by a 2006 documentary on the Antikythera mechanism he set out to build his own Heliocentric calendar machine. He produced his designs using open source CAD software and manufactures all the components himself (no CNC machining) using only the technology available to the ancient Greeks.”
The Tellurium Clock of Marc Maradan at The Computus Engine [larger]
“[…] investigators also identified deeper causes, one of which involved what some accident-investigation specialists have dubbed the ‘normalization of deviance’ — small malfunctions that appear so often that eventually they are accepted as normal […]”
“Systemic problems require systemic solutions, and thinking the radical change necessary to preserve what life remains on the planet is possible without the complete removal of the system that is killing us, is futile.”
“In 1918 Weber had proclaimed that all ‘mysterious incalculable forces’ were being eradicated from the world by science and scientifically based technologies. Entzauberung — literally the disappearance of magic (Zauber) — signified a new mentality in which modern people believed that anything around them could, in principle, be comprehended rationally, and that no offerings to capricious deities or magical manipulations of occult forces were needed to master the world.
‘Magic’, however, failed to disappear. Whether we are talking about self-designated modern magicians coming out of the various currents of occultism and neopaganism, or about that vague and poorly defined set of ‘occult’ and ‘supernatural’ beliefs and practices that somehow will not fit neat categories such as ‘religion’ or ‘science’, ‘magic’, in fact, seems to thrive at the heart of high modernity. Some have even connected the resilience of the ‘mysterious incalculable forces’ to the secularization process itself […]”
“Inner life manifests itself in various elements and conglomerations of external life, especially in those almost imperceptible surface data which form an essential part of screen treatment. In recording the visible world—whether current reality or an imaginary universe—films therefore provide clues to hidden mental processes. […] Films are particularly inclusive because their ‘visible hieroglyphics’ supplement the testimony of their stories proper. And permeating both the stories and the visuals, the ‘unseen dynamics of human relations’ are more or less characteristic of the inner life of the nation from which the films emerge.”
“This fascinating documentary explores the genesis of one of cinema’s greatest epics that never was: cult filmmaker Alejandro Jodorowsky’s (EL TOPO) adaptation of Frank Herbert’s sci-fi classic Dune, whose cast would have included such icons as Salvador Dali, Orson Welles and Mick Jagger. In 1975, following the runaway success of his art-house freak-outs EL TOPO and HOLY MOUNTAIN, Alejandro Jodorowsky secured the rights to Frank Herbert’s Dune — and began work on what was gearing up to be a cinematic game-changer, a sci-fi epic unlike anything the world had ever seen.”
“Life, to me, is mainly about opposite forces coexisting in the same space (this being a binary universe, and all): light and dark and the play of shadows across landscapes; tension and flexibility and all the combinations of the two; power, or the confidence that comes with great ability, and the understanding that comes at some point that no matter how skilled you are, you are still small. Humility, and sense of purpose. Holding on, and letting go. Doing what you can, and at the same time surrendering oneself to the constant movement that is life.”
“Occasionally, we are walking along our path, and we forget who we are. We forget that the tugging pulling us forward is the longing of heart and soul. We get caught in the pattern of habit and assumption. We forget we had intention. We forget we play a vital part in the world. We need reminders that life itself holds magic.”
“‘For 20 years I researched the fathers of the Ouija board,’ [Robert] Murch said. ‘Turns out, it had a mother.'”
Ouida aka Maria Louise Ramée
“Physicists have discovered a jewel-like geometric object that dramatically simplifies calculations of particle interactions and challenges the notion that space and time are fundamental components of reality.
‘This is completely new and very much simpler than anything that has been done before,’ said Andrew Hodges, a mathematical physicist at Oxford University who has been following the work.
The revelation that particle interactions, the most basic events in nature, may be consequences of geometry significantly advances a decades-long effort to reformulate quantum field theory, the body of laws describing elementary particles and their interactions. Interactions that were previously calculated with mathematical formulas thousands of terms long can now be described by computing the volume of the corresponding jewel-like ‘amplituhedron,’ which yields an equivalent one-term expression.”
“In summary, [Joanna Kavenna] says, ‘being a writer stopped being the way it had been for ages — the way I expected it to be — and became something different.”
That ‘difference’ amounts to a revolution. To writers of my generation, who grew up in the age of Penguin books, vinyl records and the BBC, it’s as if a cultural ecology has been wiped out. […] It was a mutually dependent ecosystem.”
“In 1979, William S Burroughs delivered a series of lectures on creative writing (though he insisted that he was teaching creative reading — that is, analyzing the writing process by reading, because everyone can be taught to read, but only some will be able to write) at Naropa University. Three of these lectures, running to over four hours, are up on Youtube, covering writing exercises, Brion Gysin, Aleister Crowley, science fiction, General Semantics, and cut-ups.”
“The rabbis explained to me that it was their duty to determine the nature of the interest of prospective buyers before selling any copies of the newly printed work.”
“LibraryBox is an open source, portable digital file distribution tool based on inexpensive hardware that enables delivery of educational, healthcare, and other vital information to individuals off the grid.”
“The Swinburne Project is a digital collection and scholarly project devoted to the life and work of Victorian poet Algernon Charles Swinburne and to digital encounters with Swinburne’s works and related documents and information resources.”
“The Emma Hardinge Britten Archive is an open source scholarly archive containing primary material for students of Emma Hardinge Britten. Materials include annotated editions of all major EHB texts, bibliographies of primary and secondary material, a short biographical summary of EHB’s life, chronologies with backing evidentiary records, various artifacts of EHB’s life, and papers and articles on topics in EHB scholarship.”
“Years back, when a small group of us were trying to get a decent run of some of the fundamental Theosophical periodicals online, a discussion broke out among the team doing the digitization scut work under the heading “mission, vision, values” (you know, the sort of thing that would occasion a high-ropes offsite, with too much drinking, in a corporate setting) and one of the participants wrote that he thought the only common belief the team needed to share was the belief that the material in question was in danger, hard to come by for ordinary seekers and readers, and worth preserving.
Damned good sense, I thought. Focus on what we agree on, and leave your hermeneutics in the car.”
“The IAPSOP is a US-based non-profit organization focused on the digital preservation of Spiritualist and occult periodicals published between the Congress of Vienna and the start of the Second World War.”
“Yet, while LGBT Americans are the current target of this effort to repackage prejudice as ‘religious liberty,’ they are hardly the first. To the contrary, as Wake Forest law Professor Michael Kent Curtis explained in a 2012 law review article, many segregationists justified racial bigotry on the very same grounds that religious conservatives now hope to justify anti-gay animus. In the words of one professor at a prominent Mississippi Baptist institution, ‘our Southern segregation way is the Christian way … [God] was the original segregationist.'”
“70% of Millennials think: ‘Religious groups are ‘alienating young adults by being too judgmental on gay and lesbian issues.””
“1 in 3 Millennials say they have no religious affiliation at all.”
“Everybody knows that the Tea Party has structured their political platform on the teachings of Jesus Christ. Tea Party Jesus has a lot of political views. Unfortunately, after a little journalistic digging, we have uncovered some facts that may make a few members of the Religious Right a teeny, tiny bit uncomfortable…”
“The authors, all Jesus Seminar Fellows, agreed on several points:
· Jesus of Nazareth did not refer to himself as the Messiah, nor did he claim to be a divine being who descended to earth from heaven in order to die as a sacrifice for the sins of the world.
· At the heart of Jesus’ teaching and actions was a vision of a life under the reign of God (or, in the empire of God) in which God’s generosity and goodness is regarded as the model and measure of human life.
· Jesus did not hold an apocalyptic view of the reign (or kingdom) of God”
“Always worth a pause is consideration of whether one greater enemy of Christianity, Gnosticism is an eradicated virus or a recurring outbreak of disease in our body. While it is difficult to arrive at a settled definition of Gnosticism, it can be thought of as an influenza which takes various forms.”
“Gnostics were trying, each in their own way, to indigenize Christianity in the Greco-Roman world by marrying it to platonic cosmology and cutting the chord [sic] from its Jewish roots.”
“If you answered ‘B’ to any question, then not only is your religious liberty not at stake, but there is a strong chance that you are oppressing the religious liberties of others. This is the point where I would invite you to refer back to the tenets of your faith, especially the ones about your neighbors.”
“The stench from your houses of worship is wafting its way across this country, polluting citizenship, demoralizing parents and families, mocking accountability and blaspheming the Holy God whom you say you love and worship. If that offends you, try reading Amos.”
“The time is not always ripe. It may be past, it may be still to come. But woe to the church if when the time does come it is silent…”
“Close your eyes, and visualise yourself standing in the middle of the country of Ukraine — somewhere near Cherkasy (see map). Now imagine that your astral form grows to a colossal height — so much so, that you can look round and see all of the territory of Ukraine around you.”
“Could this be part of Cantre’r Gwaelod, a mythical kingdom believed to have disappeared beneath the waves thousands of years ago? Has Wales’s very own Atlantis been found? […] It was buried under a peat bog 5,000 to 6,000 years ago, then inundated by rising sea levels until this winter’s violent storms stripped away the covering of peat and sand.”
The Mysteries: Papers from the Eranos Yearbooks, edited by Joseph Campbell, the 1990 fifth paperback printing of Bollingen Series XXX Vol 2 from Princeton University Press, is part of the collection at the Reading Room.
“Since 1933, the Eranos Conferences have been held at Ascona in southern Switzerland. Distinguished scholars from Europe, Asia, and America have been invited to a ‘shared feast’ (eranos) and have lectured on themes chosen by the Director of Eranos, the late Olga Froebe-Kapteyn. The lectures originally appeared in the Eranos-Jahrbücher (Zurich) and selections translated into English have been published in Papers from the Eranos Yearbooks, of which this is the second volume. Thirteen scholars—including C. G. Jung, C. Kerényi, Walter F. Otto, and Hugo Rahner—are represented in this collection, which is drawn from the years 1936, 1939m 1940–41, 1942, and 1944. The volume is edited by Joseph Campbell and translated by Ralph Manheim and R.F.C. Hull.” — back cover
Essays included are:
The Testament of Cyprian the Mage book launch for the new volume from Jake Stratton-Kent and Scarlet Imprint at The Atlantis Bookshop on March 1st, 2014 at 7pm may be of interest.
“The Testament of Cyprian the Mage is a two-volume work by Jake Stratton-Kent, comprehending The Book of Saint Cyprian and his Magical Elements and an elucidation of The Testament of Solomon. It is approximately 600 pages endowed with charts, tables and seals and is punctuated by specially commissioned pen and ink illustrations by Oliver Liebeskind.
This work draws upon these texts to create a clear understanding of the practice of grimoire magic, not as a discrete or degenerate subset of ceremonial magic, but one which is integrated with folk magic and witchcraft. In particular we discover a shared dramatis personae, the infernal pact, and a common terrain of Wild Hunt and Sabbat.
Within the text we encounter the Chiefs, Kings and Queens of the grimoire tradition; the magical role of the Decans and their stones and plants; lunar magic and magical animals; the gods of Time; the Sibyl and the Hygromanteia; Asmodeus and Oriens; Angelology, Theurgy, Conjunction and the Pact, the Angelic Vice-regent and thwarting Angels; Asclepius, Iamblichus and Neo-Platonism; Paracelsus and the Elemental Spirits; Necromancy, and the principles of spell work.”
“We will be celebrating the launch at The Atlantis Bookshop on Saturday 1st March and you are most welcome to attend. Please RSVP to this email if you are able to join us. If you cannot attend, but would like an Inscribed copy, please drop us a line and we will happily arrange that for you.”
ALL the hot summer I lay in the darkness,
Calling on the winds to pass by me and slay me,
Slay me with light in the heat of the summer;
But the winds had no answer for one who was fallen
Asleep by the wayside, with no lyre to charm them,
No voice of the lyre, and no song to charm them.
Late as I lay there asleep by the wayside,
I heard a voice call to me, low in the silence,
There in the darkness the summer called to me:
“thou who art hidden in the green silence,
Let a time of quietness come now upon thee.
Lay thine head on the earth and slumber on her bosom:
Time and the gods shall pass darkling before thee.”
There in the silence I lay, and I heeded
The slow voice that called me, the grave hand that beckoned,
That beckoned me on through the hall of the silence.
There in the silence there was a green goddess,
Folden her wings, and her hands dumbly folden,
Laying in her lay, as though asleep in the darkness.
Then did I hail her: “O mother, my mother,
Syren of the silence, dumb voice of the darkness,
How shall I have speech of Thee, who know not Thy speaking?
How shall I behold Thee, who art hidden in the darkness?
Lo! I bend mine eyes before Thee, and no sign dost Thou vouchsafe me;
I whisper love-words before Thee, and I know not if Thou hear me,
Thou who art the darling of the Night and of the Silence;
Yellow art Thou as the sunlight through the corn-fields,
Bright as the sun-dawn on the snow-clad mountains,
Slow as the voice of the great green gliding River.
Calmly in Thy silence am I come to rest me,
Now from the world the light hath slowly faded;
I have left the groves of Pan that I might gaze upon Thee,
Gaze upon the Virgin that before Time was begotten,
Mother of Chronos, and the old gods before him,
Child of the womb of the Silence, whose father
Is the unknown breath of the most secret Goddess,
Whose name whoso hath heard is smitten to madness.
“Now do I come before Thee in Thy temple,
With offerings from the oak-woods and the breath of the water
That girds the earth with a girdle of green starlight;
And all the austerity of the brooding summer,
And all the wonder of the starlit spaces
That stare down awesomely upon the lonely marshes,
And the bogs with sucking lips, and the pools that charm the wanderer
Till he forgets the world, and rushes to sleep upon them.”
And still there was silence, and the voice of the world swept by me,
Making in mine ears the noise of tumbling waters;
But two voices I heard, and they spake one to the other:
“Who stands with downcast eyes in the temple of our Lady?”
And the answer: “A wanderer from the world who hath sought the halls of silence;
Yet knoweth he not the Bride of the Darkness,
Her of the sable wings, and eyes of terrible blindness
That see through the worlds and find nothing and nothing,
Who would smite the worlds to peace, save that so she would perish,
And cannot, for that she is a goddess silent and immortal,
Utterly immortal in the gods’ eternal darkness.”
And the first voice cried: “Oh, that we might perish,
And become as pearls of blackness on the breast of the silence,
Lending the waste places of the world our darkness,
That the vision might burst in the brain of the seer,
And we be formed anew, and reborn in the light world.”
But the other voice was silent, and the noise of waters swept me
Back into the world, and I lay asleep on a hill-side.
Bearing for evermore the heart of a goddess,
And the brain of a man, and the wings of the morning
Clipped by the shears of the silence; so must I wander lonely,
Nor know of the light till I enter into the darkness.
OMNIA VINCAM (Victor B Neuburg), Equinox I iv
(Obtained in invocation, June 9–10, 1910 O.S.)
The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.