Will there be a day when someone discovers the secrets of these supernatural events, that reflection of the shadow of the soul that manifests itself between awakening and sleep, in a state of purgatory and unconsciousness?
“Fairy tales seem to be innocent stories, yet they contain profound lessons for those who would dive deep into their waters of meaning. In this book, Marie-Louise von Franz uncovers some of the important lessons concealed in tales from around the world, drawing on the wealth of her knowledge of folklore, her experience as a psychoanalyst and a collaborator with Jung, and her great personal wisdom. Among the many topics discussed in relation to the dark side of life and human psychology, both individual and collective, are:
· How different aspects of the “shadow”—all the affects and attitudes that are unconscious to the ego personality—are personified in the giants and monsters, ghosts, and demons, evil kings and wicked witches of fairy tales
· How problems of the shadow manifest differently in men and women
· What fairy tales say about the kinds of behavior and attitudes that invite evil
· How Jung’s technique of Active imagination can be used to overcome overwhelming negative emotions
· How ghost stories and superstitions reflect the psychology of grieving
· What fairy tales advise us about whether to struggle against evil or turn the other cheek ” — back cover
Blake, Jung, and the Collective Unconscious: The Conflict Between Reason and Imagination by June Singer, introduced by M Esther Harding part of the Jung on the Hudson book series, a 2000 paperback from Nicholas-Hays, is part of the collection at the Reading Room.
Amusingly, I also have a previous version of this same book, which I purchased on a separate occasion, but that has a different, more provocative, title and from another publisher: The Unholy Bible: Blake, Jung, and the Collective Unconscious by June Singer, introduced by M Esther Harding, a 1986 paperback from Sigo Press, is also part of the collection at the Reading Room.
“More than ever, the time is ripe for June Singer’s penetrating commentary on William Blake’s work. The Marriage of Heaven and Hell. For even the most devout literary scholars and art historians, much of Blake’s mystical visions and writing are perplexing. With his pen and brush, he gave birth to mythological figures and fantastic metaphors. Singer shows us that Blake was actually tapping into the collective unconscious and giving form and voice to primordial psychological energies, or archetypes, that he experienced in his inner and outer world. Blake’s writing and art was his personal dialogue between God and his own inner self—a reconciliation of duality—in which we can find clues to contemporary issues.
In the 18th century, Blake was a pioneer in finding, nurturing, and celebrating his personal connection with the divine, a search that still appeals to people who are coming to terms with the contemporary struggle between science and spirituality—the conflict between reality and imagination. With clarity and wisdom, Singer examines the images and words in each plate of Blake’s work, applying in her analysis the concepts that C. G. Jung advanced in his psychological theories. There is no more perfect lens with which to look at Blake’s work than that of Jung’s concept of the archetypes, the process of individuation, and the mysterium coniunctionis, in which consciousness and the unconscious are united.
This edition includes a new preface by Jung [sic!] Springer and a reproduction of 24 pages from Blake’s The Marriage of Heaven and Hell.” — back cover
“Then there is the Self, or Higher Self (Tiphareth), which we seek to express in and through the little self, and in the functions of the various levels of our unconsciousness. These levels are designated as unconscious for the obvious reason that they exist and function within our psyche regardless of whether we are aware of them or not. We only become conscious of the effect they have in our lives when we seek to break through the layers of external conditioning that have been used as reference points for our sense of being.” [via]