“Imagine if they’d had you in Alexandria.” “Would it have added to the sum of human happiness if the library had survived?” “Apparently most of it did, despite the myth.” “Humans never use the information they’ve got. They seem to value it less the more they have.” “But there’s a romance in what we don’t know or never can.”
We affirm on our altars our faith in ourself and our wills, our love of all aspects of the Absolute All.
And we make the Spirit shin combine with the Flesh teth in a single letter, whose value is 31 even as those of LA the Naught, and AL the All, to complete their Not-Being and Being with its Becoming, to mediate between identical extremes as their mean—the secret that sunders and seals them.
It declares that all somethings are equally shadows of Nothing, and justifies Nothing in its futile folly of pretending that something is stable, by making us aware of a method of Magick through the practice of which we may partake in the pleasure of the process.
Aleister Crowley, Liber V vel Reguli
A Gresham’s Law: the fakes would undermine the value of the real
Philip K Dick, The Man in the High Castle
Archetypal Imagination: Glimpses of the Gods in Life and Art by Noel Cobb, introduced by Thomas Moore, part of the Studies in Imagination edited in collaboration with the Institute for the Study of Imagination, a 1992 paperback from Lindisfarne Press, is part of the collection at the Reading Room.
“This unique book is about freeing psychology’s poetic imagination from the dead weight of unconscious assumptions about the soul. Whether we think of the soul scientifically or medically, behaviorally or in terms of inner development, all of us are used to thinking of it in an individual context, as something personal. In this book, however, we are asked to consider psychology from a truly transpersonal perspective as a cultural, universal-human phenomenon.
Reading these essays we are taught to look at the world as the record of the soul’s struggles to awaken, as the soul’s poetry. From this point of view, the true basis of the mind is poetic. Beauty, love, and creativity are as much instincts of the soul as sexuality or hunger. Thus these essays praise the value and nobility of the imagination, and instead of the usual masters of psychology the exemplars here are the artists and mystics of the Western tradition, Dante, Rumi, Rilke, Munch, Lorca, Schumann, Tarkovsky.” — back cover