Tag Archives: Vedanta

Imagining Karma

Hermetic Library fellow T Polyphilus reviews Imagining Karma: Ethical Transformation in Amerindian, Buddhist, and Greek Rebirth by Gananath Obeyesekere.

Ganath Obeyesekere Imagining Karma

Obeyesekere works through a project of “comparative structural interpretation” (354), using simplified and idealized models of the processes described by rebirth doctrines within and among various cultures. One of his goals is to demonstrate that reincarnation “eschatologies” are not unique to Indic religions, as is sometimes supposed. The societies that furnish Obeyesekere with ethnological data are Vedanta and Upanishadic Hinduism, Theravada Buddhism, West Africa, Trobriand, Northwest Coast Amerindians, Inuit, Tlingit, Kwakiutl, Classical Hellenism (as Pythagoreanism and Platonism), “Heterodox Islam” (as Druzes and Ismailism), and Bali. He omits the kabbalistic metempsychosis of mystical Judaism, as well as some Australian and Asian cultures of reincarnation, noting that he is especially interested in those who hold beliefs permitting cross-species rebirth of humans. This latter idea he ties to the notion of “species sentience” (his term) and relates structurally to vegetarianism, by means of an endoanthropophagy (cannibalism) taboo.

Obeyesekere distinguishes a “karmic eschatology” from the basic “rebirth eschatology” according to the presence of two features, which he groups under the process of “ethicization” of the reincarnation process. The first feature is a differentiation of post-mortem otherworld experiences based on the ethical status of the deceased. The second is the ethicization of rebirth per se, so that the ethical value of one life has the determinative effect on the identity and quality of the next life. (He notes that this latter feature correlates to a devaluation of animals, when compared to rebirth schemas that lack it.) Tied to this ethicization is the establishment of a salvation that lies outside the cycle of rebirth altogether. Obeyesekere also asserts a parallel process of “axiologization,” by which preexisting local values are conceptualized and universalized. While outlining his model of the “karmic eschatology,” he counters Western descriptions (or “inventions”) of Buddhism as essentially and originally “rational” (151 ff.).

Having constructed the model of Buddhist rebirth ideas, with reference to those of “small-scale societies,” Obeyesekere compares it to other cultures under his consideration. He also discusses instances of deviance from the model within Buddhism (e.g. 132), and variability within the other cultures. None are presented as static or uniform, but the structure(s) described by Obeyesekere serve(s) as a strange attractor around which the instances group themselves, according to “expectability” and its circumstantial thwarting. He emphasizes (e.g. 139) that “popular” features durably contradicting “pure” doctrines are as likely to be survivals from the religion’s first codification as they are to be “contaminations” from a subsequent, alien source.

He explains that his methodological goal is to demonstrate that while cultures as wholes may be “incommensurable,” comparison of important aspects or dimensions of culture can be undertaken productively. Although I found plenty of his more specific arguments questionable (often provocatively so), I think he succeeds on this most general plane of his ambition. [via]


The Magic of a Symbol

The Magic of a Symbol by Florence Farr, edited with an introduction by Darcy Kuntz, Vol 6 of the Golden Dawn Studies Series, the 2005 second revised edition published by J D Holmes, is part of the collection at the Reading Room.

Florence Farr The Magic of a Symbol

“This book contains Florence Farr’s ideas on Symbolism, the Kabbalah, Egyptian Magic, the Vedanta, Rosicrucians, Alchemy and the Tree of Life. Edited with Introductory Note by Darcy Kuntz.” [via]

New article at The Hindu about the qawwali devotional music of Abida Parveen mentions a sufi-vedanta connection

New article at The Hindu about the qawwali devotional music of Abida Parveen mentions a sufi-vedanta connection.

No, she is not a saint. But when she sings, the saints seem to speak to us through Abida Parveen’s electrifying voice. A voice that alternates weary grief with radiant joy, quiet trance with dancing rhythms, until the individual quest turns into a binding community experience.