Tag Archives: Will Eisner

The Contract with God Trilogy

Hermetic Library Fellow T Polyphilus reviews The Contract with God Trilogy: Life on Dropsie Avenue [Amazon, Bookshop, Publisher, Local Library] by Will Eisner.

Eisner The Contract With God Trilogy

There is a tiny irony in the fact that when Will Eisner coined the phrase “graphic novel” in 1978 to describe his work A Contract with God, the book in question did not have the single plot of a unified novel. It was instead a set of four shorter narratives joined by a common setting at No. 55 Dropsie Avenue in the Bronx. The first of these is the properly-titled “A Contract with God,” and it concerns the moral vicissitudes of a Jewish immigrant in New York. The other three stories center on a Depression-era “street singer,” the building superintendent at No. 55, and a summer vacation season.

The Contract with God Trilogy collects the original book with its two sequels, both of which fully merit the “graphic novel” label. The Life Force is a complex story centered on the carpenter Jacob Starkah, and taking place mostly in 1934. Dropsie Avenue spans more than a century of transformations of the Dropsie neighborhood, pulling the events together into a single tale of striving, corruption, and transformation. The Trilogy volume is supplied with a preface and some new interstitial art from Eisner.

When he composed these pages, Eisner had already developed his techniques of visual storytelling to a high pitch, and throughout the work the characters and plots are presented with startling efficiency, while the compositions are striking and effective. The illustration is all in monochrome inks, presented in this handsome hardcover with uniform dark brown line art on ivory paper.

All of these stories raise powerful moral and emotional concerns, leavening them with occasional humor. They also clearly incorporate a level of memoir that powerfully documents 20th-century cultural history for the Bronx. I read a copy borrowed from the local public library, and I strongly believe it deserves a place in such collections.

The Best of the Spirit

Hermetic Library Fellow T Polyphilus reviews The Best of the Spirit by Will Eisner, introduction by Neil Gaiman.

Eisner The Best of the Spirit

Eisner’s Spirit is generally recognized as a landmark in the comics medium. I have admittedly reached the real thing by a backwards process that included the 2008 feature film and Darwyn Cooke’s 21st-century reboot of the comic. But, having now read this convenient anthology of some of Eisner’s key work from the 1940s, I do see what all of the fuss is about.

There’s no special attraction to the plots, characters, or setting: The Spirit is basically straightforward fantasy detective fiction that seems to be a synthesis between Bob Kane’s Batman and Chester Gould’s Dick Tracy. What makes Eisner’s Spirit special is the storytelling: his inventive use of both graphic and narrative perspectives. These features are thrown into relief in the format of the eight-page weekly comics supplement syndicated to various newspapers, where all of the stories in this anthology were originally published. 

These stories include the Spirit origin episode, tales of the chief femmes fatales of the series (Silk Satin, P’Gell, and Sand Saref), and most importantly, many of the stories in which the Spirit himself only appears in a few of the final panels, just to provide external continuity for what is otherwise a free-standing parable of crime and punishment. 

At eight pages per story, this collection is able to include over twenty tales of The Spirit, and they are worth savoring. It amply demonstrates why Eisner’s work has been inspirational to comics creators for generations.