“Mysticism, magic and alchemy all come into play in the creative process. For centuries musicians have tapped into things spiritual, embracing ritual, spell, incantation and prayer deeply into their life and work. Although the connection of music to mysticism has been consistent, well documented and productive, it is still shrouded in mystery and largely misunderstood. For this special edition, Arcana focuses on the nexus of mysticism and spirituality in the magical act of making music. Far from an historical overview or cold musicologist’s study, these essays illuminate a fascinating and elusive subject via the the eloquent voices of today’s most distinguished modern practitioners and greatest occult thinkers, providing insights into the esoteric traditions and mysteries involved in the composition and performance of the most mystical of all arts.
Dary John Mizelle
Genesis Breyer P-Orridge
David Chaim Smith
Peter Lamborn Wilson
Z’ev” — back cover
An irregular hodgepodge of links gathered together … Omnium Gatherum for June 11th, 2014
Mihai Mihu’s LEGO diorama for “Lust” from Dante's Inferno
- “The Householder’s Guide to Form and Deed” — Scott David Finch (author of A Little World Made Cunningly), Spiral Nature
“After putting myself in too many people’s shoes, and seeing the world through everyone else’s eyes for too long, I start to become a warped and weary alien to myself. I no longer recognize my own face and I need to recharge. This is when I head to my studio to sit.”
- “How to Become a Living Douche! The Impressively Embarrassing Occultism of EA Koetting” — Thad McKraken, disinformation
“I have to confess that what I’ve found mindblowing about exploring the Occult is that the church has slandered it as being daemon worship, and because of that, a group of gothed out weirdoes have decided that they love the idea worshipping Satan. Even though the Occult doesn’t actually involve that (it’s about mastering your daemons and making contact with your Holy Guardian Angel), they’re just going to make it about that anyway because they’re just…so…hard.”
- “Dreamscripts in the Waking World” — William Kiesel, The Brooklyn Rail
“One of the signs which has become a trademark of being in a dream is the inability to read the written word or at other times to decipher numbers on a clock face or elsewhere. Such figures most often appear to blur before the eyes. There are times when the oneiric traveller is blest with clarity of vision wherein the characters in the given instance are crystal clear, but such instances are typically rare. It is significant that there is a crossover between the experience of legible and illegible scripts in both the waking and dream worlds.”
“With the use of oneiric praxis, sigils of the wake world can be brought to the dreamscape, as well as drawing the dream texts upon the waking consciousness. No doubt the viewing of sigillic devices could produce the atmosphere of the dream in the waking consciousness of one unaccustomed to seeing such scripts.”
- “Caveat Lecter” — Houghton Library Blog [HT Harvard Library]
“Good news for fans of anthropodermic bibliopegy, bibliomaniacs and cannibals alike: tests have revealed that Houghton Library’s copy of Arsène Houssaye’s Des destinées de l’ame [The destiny of the soul] (FC8.H8177.879dc) is without a doubt bound in human skin.”
- “Earth’s backup: Sending religious texts to the moon” — Paul Marks, NewScientist
“The first artefacts to shoot for the moon could be three religious and philosophical texts. The Torah on the Moon project, based in Tel Aviv, Israel, has been courting private firms to deliver a handwritten Jewish scroll, the Sefer Torah, to the lunar surface. If they succeed, later flights will carry Hindu scriptures called the Vedas and the ancient Chinese philosophical work, the I-Ching.
Each document will be housed in a space-ready capsule designed to protect it from harsh radiation and temperature changes on the moon for at least 10,000 years.”
- “The Samuelson Clinic releases “Is it in the Public Domain?” handbook” – UC Berkeley School of Law [HT Boing Boing]
“These educational tools help users to evaluate the copyright status of a work created in the United States between January 1, 1923 and December 31, 1977—those works that were created before today’s 1976 Copyright Act. Many important works—from archival materials to family photos and movies—were created during this time, and it can be difficult to tell whether they are still under copyright.”
- “Handbook to figure out what’s in the public domain” — Cory Doctorow, Boing Boing
“This is probably the most esoteric question that normal people from all walks of life have to answer routinely; the Samuelson Clinic has really done an important public service here.”
- Book of Soyga or Aldaraia sive Soyga vocor [PDF], edited and translated by Jane Kupin, Twilit Grotto [HT Joseph H Peterson]
“Here begins the book Aldaraia in accordance with that which our authorities proclaimed to us; they were from God and from the celestial parts and it was revealed to them in the desert about celestial matters.”
- “The Self-Sacrifice of Our Own Individuality” — Michael Gilleland, Laudator Temporis Acti
“We perform our task correctly only when we don’t force our own mind into every ancient book that falls into our hands; but rather read out of it what is already there.”
- “The Anagogic Role of Sunthemata in the Sacramental Liturgy of Pseudo-Dionysius” — Jeffrey S Kupperman
“The Neoplatonic writings of the 6th century writer known as pseudo-Dionysius the Areopagite have influenced, and continue to influence, Christian theologians and esotericists, amongst others, to this day. Typically, a handful of Dionysius’ topics are discussed: his angelology, his sacramental theology, and his treatment of the divine names are on the top of the list. This paper treats one of these subjects, Dionysian sacraments”
- “Occultic and Masonic Influence in Early Mormonism” — Joel B Groat, Institute for Religious Research
“The evidence of Joseph Smith’s close connection to occultism and Freemasonry, and how this influenced the origin and development of the LDS Church is not well known outside of scholarly circles. This article summarizes the evidence for Joseph’s personal involvement in both Freemasonry and occultism, and their influence on the Mormon religion.”
- “Christopher Lee makes heavy metal Don Quixote” — BBC News
“Actor Sir Christopher Lee is marking his 92nd birthday by releasing an album of heavy metal cover versions.
Two of the songs come from the Don Quixote musical Man of La Mancha, which was a Broadway smash in the 1960s.
‘As far as I am concerned, Don Quixote is the most metal fictional character that I know, the Hobbit star said.
‘Single handed, he is trying to change the world, regardless of any personal consequences. It is a wonderful character to sing.'”
- “Of course Thelema is satanic” — Thomas Zwollo, Spiral Nature
“Thelema rejects all these notions that enslave humanity to a deity that would demand certain beliefs and actions and punish those who disobey. Satan represents the rejection of this belief system and the exultation of the individual. Is Satan central to Thelema? No. Is Satan mentioned in Thelema? Yes, frequently.”
- “On the ‘itch’ within the Witch” — Nicholaj de Mattos Frisvold, The Starry Cave
“I believe Traditional Witchcraft is a poetic reality humming the nocturnal mysteries of Night. I believe the Witch is concerned with Solace and comfort, the same solace we find resting in the Night. I believe the Witch is a creature tied to the land whose heart is a crossroad where the fire of Need gushes forth from the fountain of the soul like a veiled spring of fiery droplets of gold and silver.”
- “The Rosicrucian Vision” — Christopher McIntosh, New Dawn Magazine
“The word ‘Rosicrucian’ is one that most readers will have heard many times. Yet if I were to ask for a definition of the word I would probably be given a wide variety of different answers. I might be told that it was something to do with esoteric Christianity, with alchemy, or with Cabala. All of these things are part of the answer, but not the whole answer.
So what is Rosicrucianism? For the time being let us call it a current of thought and ideas which has been flowing through history for at least three and a half centuries and probably quite a bit longer, sometimes underground, sometimes coming to the surface, but always pushing human beings towards certain goals. I say that we can trace the current back three and a half centuries because that was when it first came to the surface. So let us go back to that moment in history.”
- “Pagan God From Bronze Age Caught By Unsuspecting Fisherman In Siberia” — Yasmine Hafiz, The Huffington Post; from the it-has-the-innsmouth-look dept
“Nikolay Tarasov was fishing in a river near his home in Tisul, in the Kemerovo region of Siberia, when he caught something unexpected—and very old.”
“Museum curators dated the figure to over 4,000 years old. Carved in horn which was later fossilized, the Bronze Age figurine shows a pagan god.”
- “Circumambulating the Alchemical Mysterium” — Aaron Cheak, Reality Sandwich; an excerpt from Alchemical Traditions: From Antiquity to the Avant-Garde
“Alchemy may be described, in the words of Baudelaire, as a process of ‘distilling the eternal from the transient’. As the art of transmutation par excellence, the classical applications of alchemy have always been twofold: chrysopoeia and apotheosis (gold-making and god-making)—the perfection of metals and mortals. In seeking to turn ‘poison into wine’, alchemy, like tantra, engages material existence—often at its most dissolute or corruptible—in order to transform it into a vehicle of liberation. Like theurgy, it seeks not only personal liberation—the redemption of the soul from the cycles of generation and corruption—but also the liberation (or perfection) of nature herself through participation in the cosmic demiurgy. In its highest sense, therefore, alchemy conforms to what Lurianic kabbalists would call tikkun, the restoration of the world.”
- “Plaidoyer for historical-critical Steiner research. Using the methodological example of Rudolf Steiner as a possible character in the Mysteriendramen.” — David W Wood
“A main thesis of this paper is that one of the ways for Rudolf Steiner research to become more scientiﬁc is to proceed in accordance with a genuine historical and critical methodology. It attempts to show that even though some of Steiner’s chief critics support this method in theory, they often fall short of a historical-critical approach in practice. Using the example of the unresolved problem of whether Steiner could be a character in his own Mysteriendramen, the author provides a number of methodological, historical and biographical indications for approaching this problem. He tries to demonstrate the fruitfulness of this method by addressing the question of Steiner as a drama character from the new perspective of literary pseudonyms. In conclusion, he maintains that a scholarly historical-critical approach to spiritual science was advocated by Steiner himself.”
- “What Happens to the Brain During Spiritual Experiences? The field of neurotheology uses science to try to understand religion, and vice versa.” — Lynne Blumberg, The Atlantic
“Since everyday and spiritual concerns are variations of the same thinking processes, [Andrew] Newberg thinks it’s essential to examine how people experience spirituality in order to fully understand how their brains work. Looking at the bigger questions has already provided practical applications for improving mental and physical health.”
- “Intolerance and Fanaticism” — Michael Gilleland, Laudator Temporis Acti
“Men find it very hard to apply a little criticism to the sources of their beliefs and the origin of their faith. It is just as well; if we looked too close into first principles, we should never believe at all.”
- “Paradise Found: The ideal(ized) vision of Paul Gauguin.” — Daniel Goodman, The Weekly Standard [HT Arts & Letters Daily]
“Gauguin’s art depicts Tahitians as they are sleeping, worshipping, and engaging in other quotidian activities. But whereas Cheever, Chekhov, Roth, John Updike, and other literary artists used their keen perceptive abilities in the pursuit of sober realism, Gauguin put his artistry to the purpose of imaginative proto-surrealism.
Gauguin, who rejected European cultural and religious constraints, thought of himself as a savage in the eyes of the civilized world. Oviri (1894, his personal favorite amongst all his sculptures) and many of his other works were regarded as radical for a variety of reasons, not least because they subverted traditional, conventional ideas of feminine beauty.”
- “We need to talk about misogyny and sexism” — Psyche, Spiral Nature
“Equality. That’s the secret agenda, folks. Feminism isn’t about women first, it’s about women too.”
- “Congo: A Group of Chimpanzees Seem to Have Mastered Fire” — World News Daily Report; from the fake-news-but-wouldn’t-it-be-wild-if dept.
“It is however, the first time that a group of these primates develops some technical concepts as elaborate as these on their own. A few individual apes seem to have originally developed a rudimentary technique of rather poor efficiency, but the group gradually improved it through experimentation and observation over the last few months. They are now able to create and maintain a fire, which they have been using mostly to scare off predators and cook some of their food.”
- “On the Seventh Day, We Unplug: How and Why to Take a Tech Sabbath” — Brett & Katie McKay, The Art of Manliness
“Taking a weekly Tech Sabbath allows us to step off this wheel of endless sameness. It’s a ritual that pushes us out of the norm, to pursue different activities, and use different parts of our brains. In so doing, it refreshes and rejuvenates our minds and spirit. It provides the motivation to unhook our wired craniums from the matrix of cyberspace and explore the pleasures of the real world.”
- “Kircher & Schott’s Computer Music of the Baroque” — Phil Legard, Larkfall
“Here is a piece of music, which was composed with a sort of 17th century computer called the Organum Mathematicum, devised by Athanasius Kircher and fully described by his pupil and assistant Gaspar Schott”
- “Mihai’s Inferno: The 9 circles of Hell made in Lego” — The Brothers Brick [See also Boing Boing, MOCPages]
“Mihai Mihu completed a series of creations depicting the 9 circles of Hell. While staying true to the theme of poetic justice served to the sinners, Mihai portrays the punishments through his own interpretations. The recurring architectural elements and portrayal of the sinners tie the scenes together in a way that’s easy for the viewer to transition through. In this short interview, the builder talks about his project and the individual circles of Hell.”
- “Techne: The State of the Art” — Damien Wolven [HT Joshua Madara]
“If we really think that whatever kind of mind we generate from these efforts is going to be anything like us, then we’re probably in for a big surprise. We have to be prepared for—as opposed to scared about—the possibility that any machine intelligence will have vastly different concerns from us. “Occult Wisdom” means knowledge hidden from those who don’t know how to look for it and, without an understanding of how these new minds will experience our world, humanity will never know everything we might.
As I’ve explored these ideas, over the years, I’ve found that the most valuable approaches have often come from the intersections that others might overlook. The intersection that’s been most useful to me is at the center of weird science, philosophy, religious studies, pop-culture, and magic. I’ve written articles, taught classes, and organized conferences arguing that “The Magical” is one of the most useful-but-underused tools we have for rethinking and understanding these ideas.”
- “The Flaw Lurking In Every Deep Neural Net” — mikejuk, Slashdot
“If a deep neural network is biologically inspired we can ask the question, does the same result apply to biological networks? Put more bluntly, ‘Does the human brain have similar built-in errors?’ If it doesn’t, how is it so different from the neural networks that are trying to mimic it?”
- “We Aren’t the World” — Ethan Waters, Pacific Standard [HT Eleanor Saitta]
“The potential implications of the unexpected results were quickly apparent to Henrich. He knew that a vast amount of scholarly literature in the social sciences—particularly in economics and psychology—relied on the ultimatum game and similar experiments. At the heart of most of that research was the implicit assumption that the results revealed evolved psychological traits common to all humans, never mind that the test subjects were nearly always from the industrialized West. Henrich realized that if the Machiguenga results stood up, and if similar differences could be measured across other populations, this assumption of universality would have to be challenged.
Henrich had thought he would be adding a small branch to an established tree of knowledge. It turned out he was sawing at the very trunk. He began to wonder: What other certainties about “human nature” in social science research would need to be reconsidered when tested across diverse populations?”
If you’d like to participate in the next Omnium Gatherum, head on over to the Gatherum discussions at the Hrmtc Underground BBS.
The Occult Humanities Conference: Contemporary Art and Scholarship on the Esoteric Traditions will take place at NYU on Oct 18-20, 2013 in New York. The conference was announced today and looks to be quite worth checking out, especially since information about the schedule, participants and exhibition have already been posted. The event is being hosted by Phantasmaphile, the Observatory, and NYU Steinhardt Department of Art and Art Professions.
Pam Grossman announced this on her Phantasmaphile blog today.
I am thrilled to announce The Occult Humanities Conference, taking place on October 18th-20th at NYU, and co-organized by myself and Jesse Bransford. The weekend will feature lectures, an art exhibition, and entertainment, all of which explore occult subject matter.
Speakers include Susan Aberth, Robert Ansell, Elijah Burgher, Laurent Ferri, Mitch Horowitz, Amy Hale, William Kiesel, Gary Lachman, Mark Pilkington, Shannon Taggart, Jesse, and myself.
The accompanying exhibition, Verbal, Somatic and Material, will contain artwork and esoteric books by Jesse Bransford, Elijah Burgher, David Chaim Smith, Fulgur Esoterica, Ouroboros Press, and Shannon Taggart.
Entertainment will be provided by The Parlour Trick and Acep Hale.
And there will be books vended by Catland, Fulgur Esoterica, and Ouroboros Press.” [via]
“The Occult Humanities Conference
October 18-20, 2013
Hosted by Phantasmaphile, Observatory and the NYU Steinhardt Department of Art and Art Professions
34 Stuyvesant St., New York, NY
The Occult Humanities Conference is a weekend conference to be held in New York City on October 18-20th, 2013. The conference will present a wide array of voices active in the cultural landscape who are specifically addressing the occult tradition through research, scholarship and artistic practice.
The arts and humanities at present are acutely interested in subjects related to the occult tradition. The tradition represents a rich and varied visual culture that displays a complex set of relations at once culturally specific and global in their transmission. Roughly defined, the occult tradition represents a series of culturally syncretic belief systems with related and overlapping visual histories. Though there are as many ways into this material as there are cultural — and personal — perspectives, universal occult concerns often include a belief in some sort of magic; a longing to connect with an immaterial or trans-personal realm; and a striving for inner-knowledge, refinement of the self, and transformation of one’s consciousness — if not one’s physical circumstances.
Intensely marginalized throughout most historical periods, these traditions persist and represent an ‘underground’ perspective that periodically exerts a strong influence on structures of dissent, utopianism and social change. Though history is marked with several so-called ‘Occult Revivals,’ the contemporary digital age is a perfect confluence of several factors which make this moment prime for a reexamination of all of the esoteric traditions. While the information age has allowed for easier access to previously obscure writings, imagery, and social contexts, it alternately elicits a deep desire for sensorial experiences and meaning-making once one steps away from the screen.
The presenters at the OHC represent a rich and expanding community of international artists and academics from multiple disciplines across the humanities who share an exuberance and excitement for how the occult traditions interface with their fields of study as well as the culture at large. The small scale of this conference (approximately 100 attendees) will give ticket holders an intimate look at the presenters and their views.
The visually-oriented presentations will be coupled with an exhibition of artworks by several presenters and artisanal books from Fulgur Esoterica and Ouroboros Press.” [via]
Occult Psaligraphy: The Hidden Art of Papercutting by Hagen Von Tulien is a title coming soon from Ouroboros Press, and due to release at the 2013 Esoteric Book Conference in September.
“Ouroboros Press desires every discerning Bibliophile to know that a new book by contemporary artist and occultist Hagen Von Tulien is in preparation. With more than thirty years of intense magical theory and practice, he has specialized in creating art as an expression and manifestation of magical states of awareness and its use as an esoteric tool. In Occult Psaligraphy Von Tulien expresses these magical states in a series of over 160 papercuts. The book, produced in large format and printed in Red and Black will be presented in a Limited but distinct Edition. This bi-lingual text in English and German, includes introductions by the Artist and publisher William Kiesel, who speaks to the practice of papercutting in diverse esoteric traditions worldwide, including China, Japan, Mexico, Europe, Indonesia and America. Von Tulien’s papercuts show a superior quality, the line work, fluidity and design elements reflect experience with both graphics and occult symbolism. The papercut images Von Tulien creates with his scissors are functioning sacred diagrams, Veves and potent effigies whereby congress with the spirit world may be actuated.”
“Amalgamations of eyes, serpents, horns, skulls and other sigillic devices, these scissor-cuts become embodied vessels of power. They assist the practitioner in concentration, may be used in meditation or evocation, or as objects of talismanic effect. Specific God-forms, Iwa, and Avatars of Revelation are exemplified, honored and called forth. Other diagrammatic examples of Von Tulien’s scissor-cuts show initiatory knowledge and act as veritable trestleboards of ritual arcanum. The intricate lines and visually striking forms of his cuts cause an immediate fascination in the viewer – a fixation of vision, a keyhole through which Keys are received. Like the emblem books of the Renaissance the Occult Psaligraphy is rich in iconic symbolism. The devices of esoteric tradition are recondite and explicit and the entities present are no less corporeal to the eye. If ever a talismanic book there was, certainly this Book of Spirits is among them.” [via]
“CLAVIS Editions will be launching the Primer Issue of CLAVIS Journal in Seattle, Washington 26 March 2013. The publishers and some of the contributors will participate in the event.
CLAVIS is a journal of the advanced occult disciplines, produced by esoteric publishers Ouroboros Press and Three Hands Press. Born of the desire to serve an increasingly sophisticated esoteric community, its pages wed the dual arenas of scholar and practitioner, our aim to serve as a magical resource for years to come. In accord with the Emblem of our work, the journal provides unique access to magical strata and currents of esoteric thought not found elsewhere. Our pages feature Magical Theory and Practice, Hermetic Studies, Comparative and Esoteric Religion, History of Magic, Folklore and newly-emergent fields of syncretic occult praxis.
Our editorship and peer review panel is uniquely suited for the advancement of this work, drawing from its specialist areas of Hermeticism, Witchcraft, Grimoria, Thelema, and Natural Magic. With solid reputations for inventive book design and editorial acumen, we look forward to serving the magical adept with content worthy of the concealed beauty and mystery of the word occult.
Standard and Deluxe copies of the journal will be available.
Daniel Schulke & William Kiesel
Three Hands Press | Ouroboros Press
Viatorium Press” [via]
“Magic Circles have been depicted in popular expressions of magic and witchcraft as well as detailed with full rubrics in traditional manuals of magic such as the Clavicula Solomonis or Liber Juratus. Using narrative, visual and textual material available from European grimoires and manuscripts, the author discusses the various forms and functions of this important piece of apparatus employed by magicians in the Western Esoteric Tradition, including their role in providing authority and protection to the operator, as well as examples of their use in divination and treasure finding. Additionally, contemporary examples of the magic circle at work in modern esoteric praxis are provided and discussed in light of the traditional approaches they exhibit. This monograph serves to explicate this important tool of ceremonial magic and is valuable to practitioners of the art magical with its technical data, while also providing context in historical settings for the merely curious reader of occult subjects. Illustrated throughout.” [via]
Theatrum Chemicum Britannicum book launch event at Fields Book Store in San Francisco on March 22 at 7:30pm
“Ouroboros Press director William Kiesel will give a brief talk about Elias Ashmole’s alchemical classic and discuss its relevance in book arts, literary, and historical contexts.
The Theatrum Chemicum Britannicum is a major collection of English alchemical texts which encapsulate the arcana of the Magnum Opus in poetic form. Originally gathered from several rare medieval manuscripts by Elias Ashmole, the text represents the largest collection of verse treating of the production of the Philosopher’s Stone to be brought together in one volume. This edition is corrected using Ashmole’s errata sheets, revised to include more complete versions of several texts, and re-typeset.
A letterpress broadside of The Golden Chain of Homer will be a gift to each attendee at the book launch who purchases a copy of the book. Additional copies may be purchased for $40.00.” [via]
“The Theatrum Chemicum Britannicum is a major collection of English alchemical texts which encapsulate the arcana of the Magnum Opus in poetic form. Originally gathered from several rare medieval manuscripts by Elias Ashmole, the text represents the largest collection of verse treating of the production of the Philosopher’s Stone to be brought together in one volume.
Ashmole’s pride in English literature is amplified by the consideration he gave to the project. In deciding which texts should be included in the book he details ancient British examples among the Druids & the Bardic Tradition and explains that poesy is much better than mere verse.
Here we find well known names in the alchemical corpus among whom are included; Thomas Norton, George Ripley, Geoffrey Chaucer, John Daston, Pearce the Black Monke, Richard Carpenter, Abraham Andrews, Thomas Charnock, William Bloomefield, Edward Kelley, John Dee, Thomas Robinson, William Backhouse, John Gower, John Lydgate, W. Redman and several anonymous authors. This who’s who of English alchemists is placed in historical context by a Prolegomena by Ashmole, which supports his thesis that England may be proud of its alchemical literary heritage. In addition Ashmole has provided ample annotations and commentary to each of the texts as supplementary material in the concluding chapter of the book. The text has a new introduction by William Kiesel and a full bibliography of alchemical and bibliographic materials used in researching the text.
This complete edition of the Theatrum Chemicum Britannicum goes beyond the mere reprinting of the original pages as past facsimiles have done. Using the original errata sheets provided by Ashmole, the entire text has been corrected and reset in a more readable typeface and features clear reproductions of the original engravings produced by Robert Vaughan. In addition, this edition features a more complete version of the Breviary of Naturall Philosophy by Thomas Charnock by employing a complete manuscript of the text not available to Ashmole in 1652. This is the most ambitious publishing project embraced by Ouroboros Press in its years of laboring to bring source works of western esotericism to scholars and collectors alike. Over a dozen individuals and institutions worked hard to bring the book into this complete and corrected edition. This is fine esoteric book arts at its best, a volume Elias Ashmole himself would be proud of.
Stout Octavo, 6 x 9 inches. 528 pages. Primary Typeface: Williams Caslon Text. Rubricated title page in red and black ink. Illustrated with alchemical engravings, ornamental grotesques, dragons, trees, and fleurons. Includes an 11 x 14 folding plate titled; George Ripley’s Wheel.” [via]
Occultural Film Series: Magick in Cinema at Northwest Film Forum on Thursday, April 5th at 7pm in Seattle, WA
You may be interested in “Occultural Film Series: Magick in Cinema” [also] which is going to be at Northwest Film Forum on Thursday, April 5th at 7pm in Seattle, WA. This appears to be the inaugural event for what is hoped to be an ongoing series, so even if you can’t make this one, consider keeping an eye out for future events.
“Thursday, Apr 05 at 07:00PM
Artist, writer and filmmaker Brian Butler presents a program that explores the occult as depicted in avant garde and experimental film. Magick has been defined by Aleister Crowley as “the science and art of causing change to occur inconformity with the will.” The short film is a perfect medium for modern occult ritual—utilizing sound light and color to alter the consciousness of the viewer. This program includes pioneers in the field of occult film as well as newer works by Brian Butler.
Death Posture (Brian Butler, 2011, 3 min)
The Invasion of Thunderbolt Pagoda (Ira Cohen, 1968, 20 min)
No. 17: Mirror Animations (Harry Smith, 1979, 8 min)
Wormwood Star (Curtis Harrington, 1956, 15 min)
Brush of Baphomet (Kenneth Anger, 2009, 7 min)
Night of Pan (Brian Butler, 2009, 7 min)
Union of Opposites (Brian Butler, 2012, 10 min)” [via]
“Established 2012 the Occultural Film Series features the esoteric and the occult in cinema. Embracing historical and contemporary examples in film and video of esoteric currents in moving pictures.
Coordinators: Tobi Nussbaum and William Kiesel” [via]
“Magick is the Science and Art of causing Change to occur in conformity with Will.”