Tag Archives: wine

Dear love, dear wife, dear mother of the child
Whose fair faint features are a match for mine,
Lurks there no secret where your body smiled,
No serpent in the generous draught of wine?

Aleister Crowley, Rosa Inferni, I in Gargoyles

Hermetic quote Crowley Rosa Inferni Gargoyles dear love wife mother child fair faint features match mine lurks no secret bodt smiled no serpent generous draught wine

There was no secret cave of the wood’s womb
Where we might kiss all day without a start
Of fear that meant to stay and must depart,
Nor any corner where the sea’s perfume
Might shelter love in some wave-carven tomb.
But Maytime shone in us; with words of art
I drew her down reluctant to my heart,
When night was silence and my bed the gloom.
So without sin we took strange sacrament,
Whose wine was kisses, and whose bread the flower
Of fast and fervent cleaving breast to breast.
As lily bend to lily we were bent,
Not as mere man to woman: all the dower
Of martyred Virgins crowned our dangerous quest.

Aleister Crowley, The Sixteenth Day in Alice: an Adultery

Hermetic quote Crowley alice adultery sixteenth no secret cave womb kiss all day tomb night silence bed without sin strange sacrament man woman martyred virgins crowned dangerous quest

He balls me better than anyone I know, no weekend joy-popping thrill, but like wine, grass, home-baked bread, a real nourishment for body and soul, day in and day out.

Mary Sativa, Acid Temple Ball

Hermetic quote Sativa Acid balls

The Wine & The Will

The Wine and the Will: Rabelais’s Bacchic Christianity by Florence M Weinberg, the 1972 first edition hardcover from Wayne State University Press, is part of the collection at the Reading Room.

Florence M Weinberg The Wine & The Will from Wayne State University Press

“In a solid contribution to the field of French Renaissance literature, this study follows the trends of criticism initiated by the revolutionary discoveries of Glison, Febvre, and Screech, focusing on two major emblematic aspects of Rabelais’s novels. Using primary Renaissance iconological material, the author reconstructs the processes by which Renaissance authors (and Rabelais) coded their teachings in symbols that were both entertaining and useful to the learned reader of the time.

The author investigates two major Christian and humanistic aspects of Rabelais’s novels which were meant to test the ingenuity of a learned audience. She takes into account Hellenic and Hellenistic traditions of hermetism—numerology and symbolic iconology in their medieval and Renaissance transformations. The study is designed to show how Rabelais, a Renaissance humanist, fuses comic popular and pagan traditions to convey an evangelical Christian message. It reveals hidden meanings of episodes in Rabelais’s work previously dismissed as simply amusing, and conveys how humor and irony combined in ‘folly’ becomes the vehicle for wisdom.

The symbolism of the wine and the will, explored and understood in all its theological and humanistic complexity, deepens our understanding of Rabelais’s work and Renaissance thought in general.”

 

The Hermetic Library Reading Room is an imaginary and speculative future reification of the library in the physical world, a place to experience a cabinet of curiosities offering a confabulation of curation, context and community that engages, archives and encourages a living Western Esoteric Tradition. If you would like to contribute to the Hermetic Library Reading Room, consider supporting the library or contact the librarian.

In Nomine Babalon, CXLIV

CXLIV

The wine in the cup is the blood of the saints;

As Babalon dips in Her finger and paints

A seal on my heart with Her name written on;

I raise up the cup and adore Babalon!

In Nomine Babalon: 156 Adorations to the Scarlet Goddess

 

The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.

In Nomine Babalon, CXXXIII

CXXXIII

I adore You with kisses that tasting of wine,

Your spirit within me as blood from the vine!

I’m the babe at your Breast, Your lover, Your faun,

I raise up the cup and adore Babalon!

In Nomine Babalon: 156 Adorations to the Scarlet Goddess

 

The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.

In Nomine Babalon, LXX

LXX

I reel from Your wine, my face becomes ashen;

Abiding alone, its name is compassion.

Curse the black brothers and their delusion!

I raise up the cup and adore Babalon!

In Nomine Babalon: 156 Adorations to the Scarlet Goddess

 

The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.

In Nomine Babalon, LVIII

LVIII

I sing out my love for the harlot divine

Accepting Your grace with baptism of wine!

By Isis, Osiris and Apophis-Typhon,

I raise up the cup and adore Babalon!

In Nomine Babalon: 156 Adorations to the Scarlet Goddess

 

The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.

In Nomine Babalon, XII

XII

O Babalon! Babalon! Thou mighty mother

That ridest upon the crowned Beast and no other!

Drunk on the wine of Your fornication,

I raise up the cup and adore Babalon!

In Nomine Babalon: 156 Adorations to the Scarlet Goddess

 

The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition.

Synthesis in The Gate of the Sanctuary from The Temple of the Holy Ghost (Collected Works, Vol I) by Aleister Crowley.

“Many, so many, were ye to make one Womanhood—
A thing of fire and flesh, of wine and glory and blood,
In whose rose-orient texture a golden light is spun,
A gossamer scheme of love, as water in the sun
Flecked by wonderful bars, most delicately crossed,
Worked into wedded beauties, flickering, never lost—
That is the spirit of love, incarnate in your flesh!
Your bodies had wearied me, but your passion was ever fresh:
You were many indeed, but your love for me was one.” [via]